Category Archives: Writing

Witch-Healers and Bonesetters

Returning home with my foot in a plaster cast–yes, the time arrived for further surgery, the other foot dropped, so to speak, but now I’m an old pro–all I could think was what if I injured that limb a couple of hundred years ago? What if I didn’t have Dr. Voellmicke, the finest doctor in the land, to set my metatarsal bones with metal screws? What would happen to my life? Would I be consigned to a rocker by the fire–or, worse, a harsh straight-backed colonial chair– an endless ball of wool and a pair of wooden sticks in my lap? Lots of mittens, but a pretty limited life for a formerly active woman.

1764 John Singleton Copley (American colonial era artist, 1738-1815)  Mrs_ Samuel Hill, nee Miriam Kilby Thyssen Bornemisza Mus Spain

Instant crone-ness. Not too happy.

I took another look though at medicine back before men got hold of “physick” in the nineteenth century to see if I was correct.

Women were the healers, you know, for thousands of years. Back to the Middle Ages, witch-healers produced incantations and charms that were broadly sanctioned, like prayer, adding in remedies and painkillers, digestive aids and anti-inflammatories.

medieval_witches

People relied on these women’s preparations. Sanctioned, yes, until they weren’t. The witches who were lay healers were hunted down in the thousands and roasted or otherwise tortured and killed. These were the doctors of their day!

In America by the eighteenth century, the period that interests me because I’m researching the Revolution for a novel, the situation for healers was a little more respectful. (Yes, I know, Salem, but that was aberrant.) Sometimes a couple would go into medical practice together, the husband handling the surgery and the wife, the gynecology and midwifery, eveything else shared. Hang out a shingle, man and woman laboring in the same field (much as they might in an actual field). That’s a familiar idea, and I can tell you from the vantage of a writer-writer household that it can be the bomb.

Colonial Women, 1876, H. W. Pierce-500

In the 1700s, sometimes a young woman would go into the healing business on her own after apprenticeship with a husband/wife team. A good idea for a character in a novel, don’t you think? One real person, Harriet Hunt, one of our country’s first female doctors, got her start caring for a sick sister, then worked for a husband-wife practice, then treated patients on her own.

doctors

These independent women favored herbal medications, dietary changes and a fantastic bedside manner. As opposed to the book-learned doctors who received their certification in London in the 1800s — they laid on “heroic” measures. Huge doses of laxatives, for example. Calomel, which caused patients to bleed from the gums, salivate uncontrollably, and evacuate without restraint. Opium. Massive bleeding–George Washington died in 1799 of a throat infection after his three physicians drained his body of nine pints of blood in twenty-four hours. Or the now forgotten “tractors,” a pair of metal instruments, one gold, one silver, that were supposed to draw off the electrical fluid at the root of suffering. These guys killed their patients.

quack_tractor

But could a woman or a man in those times fix a fracture? Yale University’s Rebecca Tannenbaum published a  book on the subject of women and medicine in early New England titled The Healer’s Calling. She describes a 1760 case in which one Ebenezer Parkman got caught under a load of falling firewood. According to the injured man’s diary, the neighbors sent for Mrs. Parker, the local “doctoress” who was known as a bonesetter. She arrived with her apparatus for putting bones back in place, her splints and bandages. Bedside manner, check: a week later she returned to the Parkman household to see the patient and change his leg bandages.

Parents in New England were no doubt inordinately proud not only of “my son the doctor” but “my daughter the doctoress.”

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The Spirit of Sinterklass

The Orphanmaster offers a glimpse into Christmas on Manhattan,1660s-style. Or, since the preponderance of colonists hail from the Netherlands, a glimpse into Sinterklass, the Dutch festival of St. Nicholas, which arrives on December 6th. Because we’re talking about The Orphanmaster, everything in this particular holiday season is not all sugar cookies.

Here is a passage from the novel:

Sinterklass—Santa Claus or Saint Nicholas—came to New Amsterdam in early December, arriving with a ship that sailed all the way from Patria laden with toys and other gifts. Children laid out their shoes on the hearth the night of December 5th. The next morning, they would find them filled with nuts, sweets and, for a fortunate few, gold coins.

Sinterklass himself rode slowly down the Broad Way and along Pearl Street on a stolid white mare, fairly gleaming in his long, draping robe, pearly beard and tall red bishop’s hat and mitre, brandishing a golden crosier with a curled top. He had apples for everyone, hard candy, frosted nuts.

Sint op het paard

But these treats were only a precursor to the grand feast celebrated the following day, December sixth, when wealthier colonists served roast goose and potatoes and kool slaw drenched in vinegar and melted butter. Sinterklass was the patron saint of children, doling out gifts to the well-behaved, though everyone got their fair share regardless of how naughty they had been.

Each child knew the story of the three little orphans during a terrible famine, how a malicious butcher lured them into his house, slaughtered and carved them up, then placed their remains in a barrel to cure, planning to sell them off as ham. Saint Nicholas resurrected the three boys from the barrel by his prayers, bringing the orphans magically back alive through the power of faith.

The spirit of the season ruled New Amsterdam between the Feast of Sinterklass on the sixth and Kerstydt, Christmas, on the twenty-fifth. Director general Peter Stuyvesant, who made clear his disgust with any drunken carousing during the holidays, yet made his Great House ablaze with candles and invited colonists in to dance in the entry hall.

But the mood this year was on the whole muted. Murder dampens the spirit…

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The Spirit of Electricity

I finally saw “The Spirit of Electricity,” the costume worn by Mrs. Cornelius Vanderbilt II at an outrageous fancy dress party she gave with her railroad tycoon husband that was one of the highlights of the Gilded Age in New York City. Textiles perish, and you don’t often get to see the famous gowns of the past. Mrs. Vanderbilt was always going to be a static image on a photo card, fetching but more than a little cracked.

Mrs. Cornelius Vanderbilt II

Born Alva Erskine Smith, Mrs. Vanderbilt orchestrated the ball in 1883 to christen the new lodgings erected for the couple at 1 West 57th Street. Theirs was the largest house ever built in Manhattan. In staging one of the most elaborate balls of the time, Alva assured the Vanderbilt family a perpetual place on Mrs. Astor’s 400, the list of New York’s social elite.

The New York Times covered the party perhaps less objectively than it would today. “The Vanderbilt ball has agitated New-York society more than any social event that has occurred here in many years,” read the article that ran the day after, on March 27th. “Since the announcement that it would take place…scarcely anything else has been talked about. It has been on every tongue and a fixed idea in every head. It has disturbed the sleep and occupied the waking hours of social butterflies, both male and female, for over six weeks, and has even, perhaps, interfered to some extent with that rigid observance of Lenten devotions which the Church exacts.”

In advance of the evening, quadrilles were relentlessly practiced, costumes were tailored, quantities of hair powder were  laid in. The party was a showstopper. The Times reporter exclaimed about the “garden in the forest” where guests took their supper, and the phalanx of cops that kept gawkers at bay outside the mansion as carriages began to arrive after 10:30 or so. We have no pictures of the hordes with their noses pressed up against the windows, but the fashionables inside had their images captured for posterity by society photographers.

Mrs. Elliot F. Shepard

Each guest’s getup was wilder than the next.

Mr. Isaac Bell

Jesters, Romams, Mary Antoinette, the Four Seasons – it was a motley group.

Mrs. Arthur Paget

I thought that the souvenir photos were all that remained of the event.

Then I visited Gilded New York, an exhibit that is currently on display at the Museum of the City of New York. The show includes the decorative arts, some paintings and some fashion. Yes, the end of the nineteenth century is big in Manhattan at the moment, with this enterprise and Beauty’s Legacy: Gilded Age Portraits in America at the New-York Historical Society. If you are a fan of ostentation, now is the time to put aside workaday worries and immerse yourself in a level of excess that is hard to fathom today.

The items on display were those that would have figured big in ball culture. Images of the grand Fifth Avenue houses set the stage, most long torn down, commissioned for the new industrial elites. By 1892, 27% of the nation’s millionaires lived in New York City, more than 1,100 of them.

Many of their mansions, like the Vanderbilt house, had a castle-like, European flavor. The structure where the 1883 ball took place was a model for the immense confection inhabited by the Delegate family in Savage Girl.

Vanderbilt home

With their newfound wealth, the millionaires bought jewelry at Tiffany, gold, enamel, diamonds, emeralds and sapphires. But they also went to Tiffany for other accessories, like this card case made of frog leather in 1900.

frog case

They had a taste for the over the top, like a decanter and cup fabricated of Murano Glass.

Murano glass

Long kid gloves were a necessity for a ball-going lady.

kid gloves

When they were feeling rustic they might show off a different style of ware, say the one decorated with an alligator, snake and lizard – this one belonged to Montana copper baron William Clark, one of the Fifth Avenue denizens.

platter

All, it seemed, was glossy, elegant, costly. You can read the plush lifestyle in the portraiture, like the depiction of Helen Virginia Sands at age 19, shortly before her marriage to a successful Wall Street trader.

de la mar pic

What I found most affecting, though, was the golden silk gown, “The Spirit of Electricity,” here in front of me, for real. It had emerged from the black-and-white photo card. Heavily embroidered in beaten gilt, it had silver tinsel filaments that lifted like small wings above the shoulders. Imported, of course, from Worth in Paris.

light gown

That’s a Herter Company jewelry cabinet in the background, for you Herter furniture fans. The dress survived because it was gifted to the Metropolitan Museum by Mrs. Vanderbilt’s daughter Countess Laszlo Szechenyi (neé Gladys Vanderbilt).

More affecting, even, the yellow silk stockings and pumps that Alva wore with the fancy gown.

pumps

This opulence of the distant past was real, something I could almost touch.

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Making Book

Frank Stella’s splashy, enormous constructions line the walls of the lobby where my book publisher has its offices. Three collages, to be precise, of mixed media on a base of etched magnesium. Standing in front of one, you have to crane your neck to see the top of the piece. Standing there, I try to imagine creating something so large as the exploding Stella’s, so imposing. My mind wanders – outside is a dumpling truck with the snazzy legend: “Who’s Your Edamame?” It’s a New York morning, and art and food and commerce jostle for attention.

stella

Books, books, time to think about books. Or one book: my book. Stella’s work depicts the inside of my head as I take the elevator to the fourth floor. We’re going to talk about how to introduce Savage Girl to the world. How can I describe the feeling? Heart-pounding excitement. Trepidation. All shades in between.

Savage Girl comes out March 6th. And all the people at our meeting, editor, publicist, social media pro, literary agent – all of them are invested in making sure that my novel reaches a wide reading public.

So we talk about strategies. Bound gallleys, called ARCs in the business (for Advance Reading Copies) – who has received them so far, who gets them next? Print is no long king when it comes to reviewers – we want people to blab online about the book, on Goodreads, “where bookworms congregate,” as someone at the meeting says, on blogs, everywhere. We want the twitter-sphere to sing its praises. We want the people who read this blog – yes, you! – to get ahold of a copy and make their friend read it too. We want it to be consumed and consumed some more. Come up for air! Someone will say. It’s time to do the dishes. To go to the dentist!  But I can’t possibly, you say, I am too immersed in the adventures of Hugo and Bronwyn.

Savage Girl cover-final

Booksellers who received their early copy are liking Savage Girl, it seems. (Some Hollywood producers are too – shush, don’t jinx it by talking about it.) Authors have weighed in with comments that will appear on the back of the dust jacket. I like this one from Da Chen, the lyrical novelist:

The best historical fiction brings the reader back to a bygone era and  the depth of humanity then.  Jean Zimmerman does all that and more in her elegantly written new novel.  I simply could not put down this this tale of sweet and painful love, of a savage girl and her encounter with modernity.

All I have to do between now and March is a hundred things. Suffice it to say I’ll be writing more here and elsewhere about the Gilded Age, sharing what I learned in the process of researching Savage Girl. Debutante rituals, fashion, feasting, feral children, nineteenth century medical practices, mansions that are architectural marvels… I hope that people who don’t know much about the period will find out something new, and that I’ll satisfy Gilded Age aficionados’  yearning for more on the subject.

Photograph1880

Say you enter your favorite independent bookstore, where the management has carefully curated its collection. You inspect the table when you come in the door and find scads of titles that tantalize you, that beg to be picked up and perused. It may seem that they found their way there by some kind of magic. Not so. Behind every glossy jacket is a team of geniuses who have pondered and sleuthed and brainstormed a way to bring that wonderful volume to you. Like an explosion, like the mixed-media Stella on the wall, the planning all comes together to unveil a bound book.

Riding the subway uptown, I notice a man standing next to me with headphones. Dancing, and not so demurely, either. He is rocking and rolling. He is happy. So am I. I remember a couplet by one of my favorite poets, another Frank, Frank O’Hara, who made New York City the star of many of his poems in the ‘50s and ‘60s.

How funny you are today New York

like Ginger Rogers in Swingtime

Sometimes, when you’re in Manhattan, everything can seem so right. I get off the train at my stop and look from one side to the other, not sure which direction to head on the platform. A woman in black-framed glasses and long black hair touches me on the arm. I don’t even have to ask. She points with her finger and softly, kindly says, This way. This way.

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Thank You for Reading

I am thankful.

This is a post about this blog.

At Thanksgiving, in a lot of families, a blessing is performed before the turkey comes on in its golden, crispy glory. The blessing consists of going around the table with every guest sharing some thing they are especially grateful for. On the occasions I’ve taken part in this ritual, I’ve sometimes had to squelch the urge to say something slightly comical or snarky. I don’t know why, perhaps because the whole thing seemed so self serious. Real thanks seem quieter, more internal, perhaps.

Now, with a few days before us until we’ll be stuffed with stuffing, with a clear head, I want to be serious.

I am grateful, deeply grateful, to those of you who read this blog.

When people ask what my site is all about, I say different things. It’s called Blog Cabin, and it’s about living in a circa 1800 home in a thoroughly modern world, and the time travel that allows for. Sometimes I call it a personal magazine. A diary. A cultural commentary. It’s about the past as a living, breathing entity. All about history and art and nature and literature… An author blog, as I have one novel about to come out and one just in the rearview.

What it really is, is playtime. Writing books, of course, is hard work. (If you’re doing it right.) Writing this blog has given me a chance to dabble in the things that absorb me in my book writing life, but on a more finite scale, with pleasure at the foremost – yes, history and art and nature and literature and… a pogo stick championship?

jack-cu

It was hot July and the contestants soared. You could taste the adrenaline.

Writing for you has given me a reason to go on adventures that you might not take, even if you had the chance. Or perhaps you would, like my search for an infant saguaro cactus at a botanical garden in Scottsdale, Arizona, with a beaming guide, but you couldn’t get there that day.

desert-gardener

I’ve taken myself to a Victorian waltz class and tea.

jz-tea

To a Broadway disco-play, and to a euphoria-inducing Brahms recital. And to a dramatic dance performance en plein air, at Manhattan’s Lincoln Center.

bum-blur

I’ve plumbed the depths of the 20-something psyche, because I have a young adult close to my heart. Instagramming is their life.

serendipity-picture

They’re fascinating animals, as are husbands, and mine hitchhikes along with me from time to time.

As are dogs. Mine is inscrutable, but adds flavor to the mix.

oliver-about-to

And writers.  I’ve loved writing about Gertrude Stein.

steintoklas-plane

I’ve shared many favorite recipes, like the one for Marcella Hazan’s braised pork in milk.

Observed motorcycle pirates on the loose in NYC. With some history about pirates intertwined, of course.

two-pirates

A rowdy pig festival in upstate New York.

michael

Explored a local farm on an enchanted evening, just as dusk fell.

fuschia-flower

Learned about the power of graffiti at the late, great 5Pointz. Got my leg cast tagged there, too.

colorful-paint

And witnessed the unlikely beauties of slime mold in a pristine nature preserve.

slime

It’s been my pleasure to gather these treasures and offer them to you, and your great generosity has been receiving them from me. So thank you. I’m looking forward to many more adventures.

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Savage Girl Music Mix

What, I thought, would be a modern-day playlist to match a Victorian savage girl’s temperament? If that makes sense. Here are some ideas, and I welcome more if you’d care to leave a comment. I plan to pass out CD’s when Savage Girl comes out in March, for anyone who likes to blast tunes in the car with the windows down. There’s a complete list of songs posted on my facebook author page; give it a like while you’re there and add to the list.

Got to lead off with Hendrix, his version of Wild Thing by the Troggs.

Jimi-Hendrix-in-1970-006

I also like this one that came out earlier this fall, Wild Child, sung by folk/pop boy-child Brett Dennen.

brettdennen1

But why not jump back a little, to Bessie Smith, who sang I’m Wild About that Thing in 1929.

bessie

I think Savage Girl might quite like Etta James’ version of Born to be Wild. Anyway, it’s one of my favorite renditions of the song.

articlehero_etta_james

Lou Reed had a contemporary version of savagery in mind with Walk on the Wild Side. But when you read Savage Girl you’ll see that there’s plenty of cross-dressing in the novel, nineteenth-century style.

1383164932000-LouReed

One more. Because the heroine of my book climbs the social ladder and actually reaches its pinnacle for a moment or two, let’s listen to Queen of the Savages, by the Magnetic Fields.

magnetic-fields-front

It’s the least we can do for a mysterious girl who escapes the wild West only to wind up in wilder Manhattan.

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Another Fine Dress You’ve Got Me Into

I always wondered by what means people got up their getups for fancy dress balls during the Gilded Age. A fancy dress ball didn’t mean, as it sounds, elegant gowns for the ladies and stiff black tails for the gents. They were actually masquerades, opportunities for the well-heeled to escape their own trials and tribulations – there were, in fact, economic downturns and “reversals” throughout the last decades of the 1800s – with a lot of very pricey role-playing. And to prove just how boss they were.

ball

Balls were splendid on their own. Edith Wharton described a typical scene.

Couples were already gliding over the floor beyond: the light of the wax candles fell on revolving tulle skirts, on girlish heads wreathed with modest blossoms, on the dashing aigrettes and ornaments of the young married women’s coiffures, and on the glitter of highly glazed shirt-fronts and fresh glace gloves.

For Savage Girl I looked into debutante balls, when 18-year-olds got their first taste of all the splendour that money could buy.

I first got interested in fancy-dress shenanigans, though, when I wrote about I.N. Phelps Stokes as a young man studying architecture in Paris in 1894.

Edith & Isaac

Most of the people he knew attended the spectacular Bal des Quat’z’Arts, where artists and architects partied hearty in the name of everything aesthetic and bohemian. Revelers could expect gold and silver paint slapped on bare flesh along with displays like the last days of Babylon, complete with “blackamoors,” camels and nearly naked women. Excess reigned every year.

quatzarts2

Stokes, I  learned from his generally no-nonsense memoir, wrote home to his mother demanding she ship over the black velvet dress he’d worn for a costume ball at his home the previous winter.

What, I wondered, trying to imagine Stokes be-gowned in velvet, was this slightly stiff, shy young gentleman doing cross-dressing at a balls-out ball?

It was the thing to do, though. Fancy dress celebrations were prevalent in Victorian England and Canada as welll as Paris and New York. One Canadian scholar who has studied archival material puts it this way:

The sheer number of archival photographs of people in fancy dress, as it was known, attests to the popularity of this phenomenon, as well as its importance to those who took part. These portraits reveal a great deal about Victorian morals, values, taboos and tastes regarding clothing, bodies and social behaviour. While the basic appeal of fancy dress lay in its semblance of permissiveness and escapism, this sort of amusement was controlled by a complex set of moral restrictions.

Few costumes survive, but these people were photo-obsessed and made sure to document the fancy ball madness.

On the website of Montreal’s McCord Museum you can find startling images of partygoers dressed to the nines, such as Herbert Molson and his sister Naomi  as “Vikings,” costumed in 1898 for the Chateau de Ramezay Ball in Montreal.

Vikings

And Miss Bethune as “An Incroyable,” in Montreal, in 1881.

incroyab.e

There was also the “Girl of the Period,” shot in 1870. The Victorians could really break loose on ice skates with a swinging braid and a cigarillo.

1870 photo like painting

The image was spookily familiar, and I realized it was the embodiment of a Currier and Ives print I have hanging on my wall.

currier

You can see some of these photos as a video. 

 At the end of the century,New York City could always put on the biggest fancy show. One of the most famous costume extravaganzas was the Bradley-Martin Ball, which took place at the Waldorf in February 1897. Cornelia Bradley-Martin vowed that it would be “the greatest party in the history of the city”.

bradley martin ball

She and her husband spent nearly nine-million dollars in current money hosting eight hundred of the city’s leading lights, Astors, Schermerhorns, Morgans and Posts included. Cornelia doesn’t look like a party animal, but the fact that she is smiling slightly suggests something to me. Most people still did not smile when posing for a portrait.

Mrs.-Bradley-Martin

The ballroom was a replica of Versailles, wigmakers stood at the ready, and guests arrived as Mary, Queen of Scots, a Spanish toreador, Henry the IV. The hostess appeared with a gold, pearl and precious stone embroidered gown.

She might have managed to best the Vanderbilts’ legendary ball of 1883, thrown by Cornelius Vanderbilt II and his wife Alva to christen their new Fifth Avenue chateau. Alva sure looked good in doves.

alva vanderbilt

The Museum of the City of New York has a extensive collection of photos of people posed with all seriousness at the ball. Including Mrs. Henry T. Sloane as, I think, a witch. Probably a good witch.

Mrs. Henry T. Sloane

If you’d like to get up a Gilded Age costume there are resources at your disposal.

But, what are we to wear? asks a manual from 1896, accessible on line in its entirety. This is the first exclamation on receipt of an invitation to a Fancy Ball, and it is to assist in answering such questions that this volume has been compiled.

Several hundred costumes are described with every incidental novelty introduced of late, including Autumn, Bee, Gipsies, Carmen, Dominos, Esmerelda, Fire, etc.

0070

Henry James wrote:

The rooms were filling up and the spectacle had become brilliant. The ball borrowed its splendor chiefly from the shining shoulders and profuse jewels of the women, and from the voluminous elegance of their dresses.

You’ll have to invite 1,000 or so people to really get the fancy ball experience. And make sure to call your wigmaker. Everything will be rosy.

Rose Garden

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A Goodreads Vote

Sometimes I don’t know what I’ll do with myself waiting for Savage Girl to hit the stands March 6th. We’re finalizing flap copy, rounding up quotes from other fiction writers for the cover, talking about where I’ll go to spread the word about the book. Still, it seems like a long time away.

If you’d like to know what you can do until Savage Girl comes out…

Goodreads has posted a list of the most anticipated historical fiction reads for 2014. What upcoming historical fiction are you most excited for, asks the site. Pay a visit and click on Savage Girl to place your vote! And then, please, ask your book club cronies to do the same.

Savage Girl cover-final

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Transcription Soup

A keyboard has no scent.

keyboard

And yet manipulating the keys brings forth aromas, incredible sights, acoustical marvels. The sounds of conversation.

I promised Gil that I would do a fair amount of transcribing for him. He’s conducted many interviews as part of a book collaboration he’s involved in. None of this background is accessible without a keyboard to yield up the brilliant things that get said.

So I listen to the tape. I screw up my forehead and try to make out the words that are muddled – some of the interviews took place in a noisy restaurant. I shake my hands out, massage my fingers when they get sore.

And then I take a break. I make soup.

big spoon

The ideal recipe, with a gigantic spoon, a spoon out of a Grimm story cottage.

Soup is the antidote, of course, for many ailments. But it’s also a good balance for tasks like transcribing, where you’re using your keyboard and your fingers and there’s a wee of drudgery.

I use a whole soup fowl if I have one, though disjointed pieces will do. Bring them to a simmer in your biggest pot and skim off the scum. Add carrots and celery. I use the last of the celery from my garden, which never stalked up but is fresh and good.

carrots:celery

The piece de resistance: chicken feet I bought from a farmer.

chicken legs

Not pretty, these gams, but they really boost the broth’s flavor.

Turnips, parsnips, parsley, leeks. So simple. Salt, in the palm of my hand.

Julia Child says to bring the stock just to a “smile,” and to simmer for three hours or so.

In which time I will have tip-tapped each key hundreds of times, to deliver a three-hour back-and-forth conversation.

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An Evening of Stand-Up Tragedy

The art of complaint never sounded so un-peevish. Almost noble, actually. We went to hear Tony Drazan perform his variety of standup, a part scripted, part improvised monologue, at Nuyorican Poets Café on East 3rd Street. Known for its poetry slams, the institution has been there since buying the rundown building for $10,000 multiple decades ago. It can accommodate all kinds of talents, and Tony is one of them. No matter that it was the coldest night yet this fall – that wouldn’t hold back New Yorkers. A motorcycle roared past us down Avenue B, and a guy walked by with a surfboard perched on his shoulder. Comedy should be easy. Or would this be comedy? Time would tell.

We started out at a ramen joint around the corner, Minca, on East 5th Street. A waitress named Kyoko in a Hello Kitty sweatshirt served us steaming bowls of pork broth with all the fixings.

kyoto

What makes me happy in this world? A bowl of soup with charshu. Slow-roasted pork, to you. I am a hungry simpleton when confronted with ramen, and I also like hot plain tea.

minca ramen

Tony sat down for a pre-show cup and laid out some of his strategy for these stand-up routines. He performs once a month. It’s not his “real” job, he’s a screenwriter and film director with lots of credits. He’s a hockey dad, with a nine-year-old son, Leo.

He told us some of the things that had happened at past gigs.

“I used to stop and apologize and say I don’t know what I’m doing here. It would relax me.”

tony tea

Around us, the young men have van dyke beards and deep black eyes, the girls have long black hair, and it looks as though everyone’s related. Above us on the wall, some intriguing artwork. We’re looked down upon by kings.

minca kings

At Nuyorican Café, people started showing up. A cognitive scientist named Amol Sarba fixed a black contraption called a halo around Tony’s head. Its low-level electrical charge is supposed to boost brain function, and the process recently had a write up in The New York Times. Sarba told us he himself wasn’t convinced until he tried a video game he’d never played before after wearing the device and “absolutely crushed it.” Tony got interested when he heard that traffic controllers and jet jocks were trying out the device. “Don’t let this discourage you,” he offered to audience members as they settled themselves.

headgear

Bare bones, this was, ancient brick and a graphite-colored curtain, with a mike stand in the center of a faded oval rug. That was the space. Two dozen people trickled in, some all the way from L.A. Many of them knew the performer. It was intimate. You could almost forget Tony was  wearing jumper cables.

He commenced. Talking about good intentions gone bad. He wandered. Circled around to the point. To another point. “This is about survivor envy,” he said. Not survivor guilt. A friend, a music composer, got sick with cancer, fell into a coma from November to March. Woke! Rapidly regained his strength. And as strange as it sounds, “I was envious that my friend had survived brain cancer.”

tony piece

Sarba stepped up to remove the headgear. “I’m trying to be more game in my life,” Tony deadpanned. Lenny Bruce was brave, but Lenny Bruce never wore a rig like that on his head during a performance.

More meandering. Probing. Tony’s father, before he died, “had primary progressive aphasia – he couldn’t find the word. It wasn’t Alzheimer’s – he could always recognize me as his asshole eldest son up until the end.” Back to the recovered friend: “He woke up and started pulling out the tubes. He felt renewal in his life and that’s when I began to feel jealous. Somehow he was the better for it. He came out stronger than me.”

In the audience, there was a shift. I was thinking of a phenomenon from a number of years back called the Apology Line, open for business 24-7, which allowed callers to leave a message in which they detailed all they were sorry for. You could also call and listen to other peoples’ woes.

Tony spoke, a stand-up, sit-down tragedian, about having always believed that bad experiences shape you. He lost his mother when he was ten, he said, and that loss always gave him the sense  that “any special achievement I had was because I had survived her death, was honoring her death.” He picked up women by confessing his tragedy.

tony standing

“Does this make any sense?” he asked us. The anecdotes twined around, curled, unfurled, from Long Island to Beverly Hills to Manhattan. Dark. Funny. To now, when he admitted to feeling paralysis and sadness even as he was performing. He stood, moved the chairs around from place to place, sat in one, sat in another one. He picked up an enormous piece of paper with scribbled notes, folded and refolded it and consulted it now and then – part performance, part origami. Told us about a Barney’s Warehouse Sale in Santa Monica where he had his first of many panic attacks. The thread… it was so loose, so elastic, but might it not break? The audience roots for the performer to tell his story as he needs to tell it.

Looking for answers, he visited a sikh internist, a cardio guy, a homeopath, an autoimmune specialist. Most recently came Tai Chi, the horse stance, internal energy training. More loss. More venting. Not everyone can make a complaint emerge this fresh. Make it not just a run of the mill kvetch. And, at the end, something new:

“We’re all vulnerable. It occurred to me that my old way of being was misplaced. I didn’t need to be a champion for any of it.”

Silence. In the end there was only the sound the heat made in the metal ducts.

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Squeezing the Juice From the Season

There is nothing like a Saturday morning in November to make you stand up straight and take clear-eyed notice of the world. Of the crisp air and fresh colors, the sweetly rotten smell of leaves being pulverized underfoot.

leaves underfoot

Both Gil and I could easily stay home and work all day, bent over our books, leaning into our computer screens. But we were drawn out into the Saturday sunshine. drive, he sd, as poet Robert Creeley wrote.

Autumn Leaves 2

We remarked as we spun along the little roads on every jolt of red.

red tree

Some unexpected graffiti on the side of a concrete shed oddly did the opposite of marring the rural scene. It underscored fall’s beauty with its blast of a message.

Love

Down the road from the Cabin we passed an arch of shrubbery above a stone gate that opens into a mysterious vacant pasture. I never get tired of looking at it.

Shrub in Stone Door

And I never get tired of visiting Thompson’s Cider Mill, where Geoff Thompson combines up to twenty varieties of fresh apples into a juice that is pure nectar. He makes his cider every weekend, and every weekend it is a different brew.

Geoff

When you buy apples at Thompson’s, you get to see each one’s heritage marked above the bin. The history of apples is vast and rich, and here you can taste history–when you bite into an heirloom Newtown Pippin, say, first grown from a chance seedling in the mid-18th century.

Apples 1

Out of the wealth of choices we’ve taken most of all to the Jonathans, which are grown right in this orchard and are sweet and tart, firm and compact.

jonathans

If you come on a Saturday morning you can watch the thoroughly up-to-date press do its business, mashing the fruit into not only a liquid but also a paste that will later be tossed to the pigs at a local organic farm. Keats talked in Ode to Autumn about how by a cider-press, with patient look,/Thou watchest the last oozings, hours by hours. This is where those oozings happen. Geoff handed around small plastic cups to catch some of the new cider as it ran out of the press.

cider press

We sipped. “Perfect blend,” said Geoff. I agreed. “Wish I could figure out how to do that every time,” he said with pleasant self deprecation. This mill does make the best cider in the land, and that’s not opinion but fact. They also have on hand my namesake fruit.

lady jean

Next stop, the Hastings Farmer’s Market, overlooking the Hudson River. A produce stand at the end of the season has its own distinctive merits. No sweet, fuzzy peaches, perhaps, but turban squashes and sugar pumpkins and the dark leafy kale your doctor wants you to eat more of. The singer Milton was performing his song In the City when we arrived.

milton

I like the song. It does capture the effervescence of New York. Though it seemed less relevant today with the trees aflame in the cool, cool, quiet air.

The woman who worked the booth for Cowberry Crossing was off on a coffee run, so Reese and I together worked out the numbers for a pair of pork chops and a bag of chicken feet. Inaccurately, it turned out when mom returned.

reese

He was a great little salesman anyway. I am devoted to using chicken feet to make stock – you need a soup foul first, then throw in the feet in addition – and I used to have a chicken farm down the road where I could buy them in five-pound freezer bags. I’ve gotten a little squeamish about how the toes resemble an old lady monster’s, with manicure-worthy nails. But they make such a velvety broth, it’s worth the psychic discomfort.

chix ft

Over at Do Re Me Farms, they still had some green beans, zucchini and cranberry beans.

cranberry beans

It was wicked cold behind the cash register, and everyone was shivering.

mushrooms guy

Mushrooms, a variety, were my choice. To add to a risotto or simply.saute and devour.

mushrooms

There was less produce than usual, more maple syrup, cider, pickles. Here they make a big thing out of offering pickles on sticks to children, like sour lollipops.

pickles

Painted Goat Farm is an artisan cheese producer located upstate in Garrattsville (now that is a true New York name). They offer goat cheese both fresh and aged, along with goat meat and what they call goat confections. They were out of the aged and I didn’t care for any goat confections, so I took home the fresh with garlic and chives.

goat cheese

The farm’s herd now stands at 85 – the females are “drying up” at the moment, I was told, and will give birth in February, when the babies will drive the count up to over 100. I’d like to pay them a visit then. If I had any kind of farm it’d be a goat farm. I love goats, both how satanic their eyes look, and their pure and total determination.

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Victorian Waltz and Tea

Writing a novel in which Gilded Age debutantes dance with their swains in the gaslit ballrooms of fashionable New York made me want to get some nineteenth century dance moves under my belt. Or, rather, under my crinolines. So I brought my best Tigger kicks in to Manhattan for an afternoon of 1-2-3, 1-2-3.

Tigger kicks

Susan de Guardiola, our elegant yet earthy instructor, came down from Connecticut. She generally teaches what she calls Jane Austen classes – picture Keira Knightley in Pride and Prejudice, sashaying down the line, all aglow.

keira

I always preferred Matthew Macfadyen in that movie. Does he show up at any of Susan’s classes? She teaches not only English country dancing but about 12 other kinds and is a true authority in her field, with a website called Capering& Kickery  that gives all kinds of background on Victorian and Regency-era dance.

“If everyone’s good enough,” she told us at the start, “we’ll progress to jumping.” Such, I will tell you now, was not to be. It was baby steps for many of us, even as we behaved very well and tried very hard.

class

The last time I waltzed was in seventh grade cotillion, wearing a micro-mini dress and short white gloves. I loved it. But that was a long time ago. And a far cry from a tiny dance floor in the back room of a tile shop, in the Chelsea neighborhood of Manhattan.

ballroom

Today, some women wore black dance shoes and a man came in wearing a steampunk-style leather top hat. You don’t see that every day on the streets of New York. “Shall I put my hair up because I’ll get all hot and sweaty?” asked a curly-haired woman. “I usually do,” said Susan.

This class was offered under the auspices of the New York Nineteenth Century Society, an outfit that takes seriously its mission: it  “unites historians, scholars, artists, philosophers, dreamers, and impresarios inspired by the 19th century.” Recently they had a Nineteenth Century Extravaganza, for which everyone put on their full Victorian regalia. Next up is an archery event. Yes! Perhaps I’ll attend. Savage Girl is an expert archer, as were many young ladies of the late 1800s.

archers

“The 1880s, 1890s were the root of modern ballroom dance,” said Susan. It turns out that the waltz changed seven or eight times in the course of its development, becoming faster, closer, more stylized. The dip back we expect from the female partner now didn’t used to exist.

susan

“I’ll tell you the secret of this kind of dancing,” said Susan. “It works if you do it on the balls of your feet.”

1801wals

“When this waltz gets going,” she said, “it flies around the room.” She might have been a tad optimistic.

This was a lesson in shoulder blades. The man should place his hand on the woman’s left shoulder blade (“that’s the sharp thing sticking out of her back,” said Susan) though in Victorian times when everyone wore corsets and your posture was therefore better, your partner could put his hand farther down your back. The woman holds her left hand against the man’s right shoulder, above his chest, to help push him around during the turns.

We learned the gavotte glide, a slide to the right followed by a turn, and we learned the importance of leading with your toe, Victorian style. Susan suggested we lean in and not worry about the various “bits” of us that might touch. We passed partners around the circle, dancing with utter and complete strangers, experiencing waves of cologne, perspiration, different kinds of breath, good and not-so-good manners. Everyone tried hard. I got one partner, Jake, a couple of times, and we shared laughs over each other’s clumsiness. He suggested we hold a hand behind us, as I might do holding a bunch of petticoats.

hands cocked

Jake high fived me when we came to a halt semi-successfully. Very Victorian.

jake

Lesson over, Gil and I proceeded outside, where a young dancer waiting for a tango class advised me that rubber soles such as the ones I had on might cost me an ankle. “I hope you keep it up,” she told me and Gil kindly. “Maybe I’ll see you on Dancing with the Stars.”

On the street, I asked Susan how to improve. “Practice five minutes every day,” she said. “Go to a supermarket and practice down all those wide aisles.” You don’t need to do it all at once. “Sleep on your lesson,” she said, “and you will do better the next day.”

We hadn’t had enough Victorian flavor so we went afterward for high tea at a place called Lady Mendl’s Tea Salon. It was on the first floor of a Gramercy Park hotel, The Inn at Irving Place, carved out of two adjoining brownstones that date back to 1834. Washington Irving was said to have spent some time in a house down the street, enhancing the old-fashioned aura of the neighborhood. The online reviews I read said a man would not be welcome at the establishment, so of course Gil wanted to go.

jz tea

Lights were turned down low and the whole effect was gracious and mellow and ladylike, even if there were a few male interlopers.

tea room

We chose our freshly steeped tea from a menu of 27 varieties. The “Lady Mendl,” which I selected, was hot and heavenly, especially after waltzing for two hours.

teacup

Darjeeling scented with bergamot, it was named after Lady Mendl herself – none other than the society woman Elsie de Wolfe, one of the first people to make her fame as an interior decorator. It’s said she had the expression “never complain, never explain” stitched on her throw pillows.

Elsiedewolfe

There was an amuse bouche consisting of a butternut squash tart with crème fraiche. Tea sandwiches. We were rolling. Everyone in the room appeared happy, or rather, high. High on hot, fragrant tea.

We reminisced about the banyan I made Gil one Christmas. Banyans are the “exotic” silk robes colonial men wore when they were at home at leisure, with their temporarily unperiwigged pates covered in caps.

banyan

There were, of course, scones and clotted cream. I ate some of the cream on a spoon to make sure it was property clotted.

scones

As if that wasn’t sweet enough we had millefeuille cake with more cream, and chocolate-covered strawberries. In my opinion the strawberries are a specious addition, since a century ago you couldn’t get the kind of giant fruit they dip now. Not that I’m complaining.

choc strawberry

“It’s good to do something you don’t ordinarily do,” I opined with Victorian superciliousness. “It makes you grow.”

“It makes you groan,” said Gil, ready to go back to the Cabin, put his feet up and his banyan on.

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Author Page Debut

I wanted to let everyone know that I have set up an author’s page on Facebook, where you are welcome to go to discover news about my books both forthcoming and previously published, and also bits and pieces about the literary life, book goings on, tweets, interesting historical phenomena and other things that pertain to my life as a writer.

Please do stop by and “like” the page, and leave a comment – I’d love to see you there.

For the Facebook page, and just because I  hadn’t done so in a while, I came up with a new author photo. I wanted the picture to be less posed, more natural than my past ones, and to have some kind of a natural context.

IMG_8745 revised

Maud Reavill was prevailed upon to record her mother’s image for posterity. I stood in front of Columbia University’s St. Paul’s Chapel, designed in 1907 by I.N. Phelps Stokes, he who I profiled in my book  Love, Fiercely: A Gilded Age Romance. It’s an exquisite Italianate structure, one of Stokes’ finest accomplishments, and the first non-McKim, Mead and White building erected on campus. It’s just as beautiful inside as it is on the exterior, but the light inside didn’t favor a shot. I wrote about the chapel and getting my picture taken earlier this year.

The bricks are old. I am not.

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Eat, Fly, Nest

“Birds like movement and sound – so bubbling water attracts them,” says Cary Andrews, the ornithological expert speaking on bird-friendly gardens at the Croton Free Library in front of an audience of two or three dozen intent locals. If you don’t have an exotically lovely koi pond, she says, a bird bath will do, or even a strategically set up plastic gallon jug tipped just so.  Watch out for frogs, though, some of whom “can take out a hummingbird.”

In my bag, I carry a palm-sized nature guide dating to 1949, which I’d rediscovered in a box of old books earlier in the day.

Bird cover

The flyleaf is inscribed, “To Zan, from Mother, April 18, 1952.”

This is the last in the Green Living Series for this year offered by the Croton Conservation Advisory Council – earlier talks had focused on invasive plants and biophilia, or the love of nature – and Gil and I want to get some information on setting up a feeder. What we get is a lot more global. Water, food, nesting. The best plants so the birds can thrive. But also much larger questions of habitat, creating it and preserving it, and the survival of all the species, not just everyday sparrows.

I am tempted as the lecture begins to hand my book over to the cutest little four year old girls, who keep giddily crawling back and forth in front of the podium until they are stilled by their chaperone. I am eager to hear about migration of another kind, from our speaker, birds flying all the way up from South America, drawn by the Hudson. Birds love water – robins, report Cary, like nothing so much as a sprinkler going back and forth, plus it loosens up the turf “so they can get their worms.”

The talk includes great photos, still there’s something softly magical about these illustrations from sixty years ago.

Bird tit

The tufted titmouse, one of my favorites since moving to the Cabin, is a bird I’d like to attract. Now I’m hearing about raspberries that ferment when overripe so that they’re called drunkberries. Birds enjoy them. And among other pleasant digressions, Cary mentions that she’d like to organize a “garden tour of pink trees” in spring. And that she was once distracted when looking out a conference window by 10 cedar waxwings feeding on red berries. And that she and her bird-crazy neighbors put in their bird-friendly plants and tease each other: “You stole my birds!”

Bird ced

“Fifty percent of the wren’s diet is spiders,” I learn. Insects. They are more important than I knew. All those downed, rotting trees around the Cabin, they are gold. Bark crevices are what bugs love. And birds love bugs. And cats love birds.

No! Don’t go there. It turns out that cats are responsible for decimating billions of birds in the U.S. each year. Cary quotes a controversial University of Wisconsin study. And the bells assigned them by well-meaning owners help not a whit. They’re much worse than the hawks circling far above.

Bird hawk

The bugs birds eat, especially the larvae babies require, grow on native plants. “Go native!” says our speaker, who admits that though she is a bird person, she was only recently educated about setting up her own bird-friendly garden. Smart and mildly self-effacing, she grants the audience “permission to be messy”: leave brush piles alone, stalks standing, the lawn grown out a bit more than most Americans think is decent. Even some weeds are good. The thistle. Even crab grass. Throw your Christmas tree to the side of your yard and a bird might take up occupancy. (We have one of those.) I also know for a fact that the fir trees close to our outside wall makes the bluejays happy.

Bird jay

This “tightly woven relationship between plants, insects and birds” sometimes leaves humans out in the cold. Poison ivy, for instance, is a delight for birds, it seems. Cary advocates preserving it where possible. This is the true bird’s eye view.

A few more nuggets before we dive into the cupcakes on the library table. Deer have been seen swimming from New Jersey to Staten Island. No joke. Hummingbirds will on occasion use spider webs to build their nests.

Bird hum

The robin’s nest found in Cary’s friend’s yard incorporated a length of her young daughter’s hair ribbon.

I start for home. In the back of my vintage bird guide I discover the following note, handwritten in neat pencil:

July 25, 1959.

Today for the second time,

a small red bird perched

on the picket fence outside

my window. He warbled

a few notes and then left.

I found out that it was a

cardinal through this book.

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Children’s Books That Make Us Us

Most of the elegant exhibition vitrines at the New York Public Library’s show The ABC of It: Why Children’s Books Matter stand at a height conducive to adult viewing. And wonderful as the show is, it’s really not a place for children – with the exception of a few nooks along the way offering copies of Goodnight Moon for young ones to handle – but a place for us well above knee height to get sucked back into our literary pasts.

The winding display was chock full of books and objects from the Library’s massive collection, and it ranged over the history of juvenile literature. There were picture books from China. There were vintage, quirky numbers, like The Cries of New-York, detailing children selling “various kinds of cherries” on Manhattan in 1816.

cherries

Another book, from 1727, represented the oldest known copy of the most important English-language primer, with an array of four-syllable words, fornication surprisingly found alongside exhortation.

primer

I was interested in Instructions on Needlework and Knitting, from 1847, published in London, whose valuable pages had an actual doll’s dress sewn into the book.

doll clothes

But I found myself gravitating to my tried and true, the darling books of my own important and valuable childhood, when caring people made sure my library was stocked with the perfect pages to make my imagination fly.

All my old favorites were here in some form or another. I saw sketches by Hilary Knight as he worked up to a published Eloise, with the scamp lying on her stomach facing  her turtle Skipperdee or making an island in the “bawth”. The collaboration between Knight and Kay Thompson was “intense, exhilarating,” I learned.

eloise-cover

Harriet the Spy, 11-year-old brilliant tomboy, was represented along one wall with a pleasantly tattered copy of the book that could have been my own. That book taught me a lot about what it would take to grow up smart and sly in the world of adults.

harrietspy

The Phantom Tollbooth depicted a land I felt transported to when I was about ten, and going back farther, the Dick and Jane readers drew me in and gave me the creeps simulaneously.

I had forgotten about Ruth Krauss and Maurice Sendak’s A Hole Is to Dig, and the pages on display at the Library touched my heart.

sendak

Harold and the Purple Crayon. Timeless. Ferdinand. Charlotte’s Web: “Some pig.” “Terrific.” E.B. White wrote it while reporting on the founding of the U.N. for Harper’s Magazine, and it was no doubt shaped by a concern about who would save the world. The world he created was of course much more real than a big room full of serious old men.

terrific

I walked about adrift in nostalgia for my books, my bookcases, my bed where I read my books, my family’s club chair where I slouched with my summer pile from the library. “Libraries raised me,” said Ray Bradbury. I remember poring over tales of the creepy Loch Ness monster and the equally terrifying but also funny abominable snowman. I can  relate to Eudora Welty’s memory:

I read library books as fast as I could go, rushing them home in the basket of my bicycle. From the minute I reached our house, I started to read. Every book I seized on, from “Bunny Brown and His Sister Sue at Camp Rest-a-While” to “Twenty Thousand Leagues Under the Sea,” stood for the devouring wish to read being instantly granted. I knew this was bliss, knew it at the time. Taste isn’t nearly so important; it comes in its own time.

I think that when reading I imagined myself to be Mary Poppins in another life (not the children who were her charges) and so I was fascinated to see P.L. Travers’s very Mary-like green-cloth umbrella with a parrot-head handle, and the Dutch wooden doll that served as the model for the magical nanny, which her American editor gave the library in 1972. “My favorite of all!” exclaimed the mom of two girls, who commenced to sing A Spoonful of Sugar.

Mary doll

I turned the corner and bumped into another historical nugget, the Tweedledum and Tweedledee parasol handle that Lewis Carroll bequeathed upon the former Alice Liddell, now “Mrs. Hargreaves,” in 1891. The original Alice. She held that ivory in her hand.

tweedles

More heirlooms, including all the original Pooh dolls from the Milne family, which have resided at NYPL since 1987.

I was invited to craft an original story in a Mad Libs vein, with a digital setup on the wall. After I plugged in words, the narration involved a witchy persimmon and an oak turned into a sorrowful seed, reinvented from Hans Christian Anderson’s The Snow Queen. Anderson said, “Life itself is the most wonderful fairy tale.” All fun, but where are the fairy tales? Where are MY fairy tales? The ones I read and reread until the paper book jackets tore.

Oh, there, finally. The Blue Fairy Book. A first edition of the Andrew Lang collection, which had something like a dozen volumes.

blue fairy

Mom, Dad, Grandma—and I think it might have been Grandma—thank you for giving me The Blue Fairy Book, the Red, the Green, and the others, volumes I would crack open to release their dreams, their mystery and passion. Beauty and the Beast, which I read in The Blue Fairy Book, still gives me a shiver.

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