Category Archives: Fiction

The Arborist

What am I?

A writer?

An arborist?

Sometimes it’s hard to sort out. A year ago I “took a break” from books and publishing (my literary agent’s words) and jumped into the world of trees. Since then, something in my chest seizes up when a person introduces me as a novelist, or when I’m called upon to speak about my works of history before an audience, or when somebody says to me at a party, “What do you do Oh, you’re a writer?” I feel like protesting, No, no, no, I’m an arborist. Don’t you get it?

My days have been filled with exotic new things. With learning. About what lies under our feet when we blithely course down the sidewalk, for example how something I’ve always taken for granted, like a curbstone, is shaped.

curb.JPGLike a bowling alley gutter, sort of.

I’ve learned about the crucial importance of a uniform.

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About the delicate beauty of tough New York City trees, like this lithe young lopsided linden.

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The love of guardian lions throughout the five boroughs.

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The imaginary people I was always ensconced with at my computer have been replaced by real people in real time. Like smart and genteel Roland, a Filipino with a Chinese great grandfather, who is the senior inspector for the city on my current job. He’s got seven kids, and he instructed me on how to make a flavorful porgie soup.

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At the same time, as I thump my chest and proclaim myself an arborist, something in me wants to tell the people who know me in this role that I am a writer, thank you very much. I want to blurt out, I’m a writer, actually. I relish the response. Oh really, what do you write? Are your works published? Can I find you on Amazon? It’s a skin I am sometimes happy to slip into. Again.

And here I am, writing about trees, about living, about writing, in this blog. I feel the faint percolation of something inside, not quite a book idea, but thinking about thinking about a book idea.

I’m not sure what it would consist of, but maybe some of these things. It could tell of losing faith in writing and publishing, losing an idea of myself, only to rediscover the world and my self as an arborist. It would be about grand old trees, and street trees, and leaves and seeds and stems. The gnarled, venerable roots of things. My own roots. Yes, and it might feature that recipe for porgie soup as well. The title comes so naturally: The Arborist .

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When Gertude Stein Came to Brooklyn

The barricades attach themselves to barricades on West Street on the Brooklyn waterfront. The flagwoman holds her sign she loves the barricades she hates the trucks and she blows on her whistle her whistle her whistle. The laborers work with one another they flirt with one another they work and they flirt. Inspectors inspect one another.

The sky shines white the buildings shine silver the new sliver building shines silver as a dime and pierces the sky beyond Brooklyn.

Trees behind barricades mean nothing to anyone they mean something to the arborist and nothing to the laborers the laborers want to knock down the barricades all the barricades all the time.

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The laborers flirt they hurt they have fights they fight and they flirt they don’t see the arborist the arborist is behind a barricade the barricade must be knocked down.

A pickaxe is a pickaxe a pickaxe is only a pickaxe    A shovel is useful for digging trenches a trench is useful for holding pipe. Water is useful for drinking. Water is turned off city water residents want water the laborers put in the water they shovel they pickaxe they lay pipe they offer water they don’t think of trees. Trees stand behind barricades they are visible they are visible to the arborist who stands without a pickaxe.

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The Saddest Sweetgum in New York

Proceeding along Braddock Avenue in the Bellerose neighborhood of Queens, high winds gusting all around, we went about the business of pruning street trees. I saw dozens of American sweetgums. Liquidambar is the poetic scientific name for the species, and it refers to the honeyed sap that flows beneath the bark if you cut into it. I love these trees, most especially for their fruits, prickly brown seed-filled “gumballs” that litter the ground in winter.

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They hold on tenaciously, coexisting with the waxy pinkish flowers about to unfurl in spring as though they just can’t say goodbye to mommy and drop away.

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They remind me of the coal carriers in  Hayao Miyazaki’s inspired movie Spirited Away.

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One tree I came across was well past its prime, weathered and half dead, its limbs truncated where Con Ed had cut them free of the power line that ran through its crown. Any branch that enters the “box” around the line, my pruner told me, is unceremoniously lopped off.

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It was about the saddest sweetgum I’d seen, the old girl. She had a shape like the Winged Victory of Samothrace, but she was not treasured and adored but left to linger in her too-small tree pit with razor wire for a neighbor.

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She brought to mind Shel Silverstein’s disturbing fable The Giving Tree, in which an apple tree gives itself unceasingly to a boy, until all that is left of it is a trunk. The thing about a book, though, that allows children to not die from the horror of this story, is that you can go back to the beginning again and again, seeing the tree whole and gracious. Yes, the tree suffers an awful decline, but it springs to life everytime we open the book’s cover. We have a chance for a do-over. That is the power of art.

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I am writing this now as the trimmed branches from another tree rain down around me, the crew’s work almost done for the day. I’m standing fifteen blocks from the saddest sweetgum in New York, too far to pay a call before I get in my car and leave for home.

I don’t know if I want to see her again anyway. She’s old and homely, her spiky fruits long fallen. She has nothing to give, unlike the presents of the giving tree. She is all that has already been taken, in this harsh city, and nothing, no careful pruning, no perfect cut, will bring her back.

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The Best Vacation

I came back from Arizona to find that The Orphanmaster had appeared on a Top Holiday Reads 2016 shortlist on line by Co-operative Travel in the UK. The 18 authors included were asked to describe their favorite vacation in 140 characters. What’s funny is I had been spending mine, along with hiking and sunbathing,

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reading historical fiction, which I cite as the finest kind of holiday in my quote. You can find all the books and writers here.

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A Snow Day for Books

Looking out from my desk over the sleeping swamp, the filagree of snow on reeds, globs of it hanging off the magnolia tree.

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I’m off of both jobs today and have the luxury of nothing to do but laundry and cooking and dishes. Oh yes, and writing book reviews. NPR Books is the loveliest employer because it lets me self assign and my editor is no slouch. I have a stack of seven books awaiting me on the coffee table, lined up for spring. I’ve gotten a kick out of the Clothing Store and I love being out on the streets with the trees, but literature is my heart.

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13 Stolen Girls

There’s a faint possibility I might be biased, but my husband Gil Reavill’s crime novels have just been getting better and better. His first one, 13 Hollywood Apes, from Random House/Alibi, was nominated for a Thriller Award by the International Thriller Writers group. Readers are calling his second, 13 Stolen Girls, “one of my favorite suspense novels for this year” and testifying that “when a book makes you yell ‘Oh-my-God’ out loud and get weird stares from complete strangers, you know it’s good!”

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If you’re a thriller-mystery reader, Gil Reavill’s “13” series is a serious treat. He has drawn a feisty, soulful detective, Layla Remington, which I think will lead to a new adjective: “Remington-esque.” Gil just turned in the next installment, 13 Under the Wire, which comes out in January. When readers ask him, “What’s with the thirteen business?” he always answers, “That’s my daily page count,” and is not far off the mark. The man is a demon writer. 13 Stolen Girls is available here.

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Found Wanting

Here is what I don’t miss about living the life of a writer, the life I lived for 25 years of adulthood. I realized recently that even when I was happy and fulfilled, publishing my work, novels and nonfiction, I was continually in a state of wanting.

I wanted to write a good sentence.

… wanted to write a good paragraph.

…wanted … a page, a chapter, a book.

I wanted a jackpot, to win the lottery of book advances, to have publishers wrangle over my work.

I wanted my editor to pay attention to me .

… wanted him to love my book.

… wanted my publishing company to go all in on it, devote thought and resources to promoting it. I wanted to punish them when they didn’t: want, want, want.

Oh, you’re a writer, people always said. And it was fantastic to be that creature, a writer. Except when it wasn’t.

I wanted to see my book in the world.

I wanted to see the cover in a bookstore window.

I wanted readers.

… wanted readers to love my book.

… wanted readers to talk about my book, to talk to me about my book.

I wanted to talk about my book.

… wanted to talk to readers about me.

… wanted to talk in front of audiences.

… wanted to hear applause.

I wanted my book to be reviewed.

… reviewed in The New York Times.

…(USA Today would be okay.)

…I wanted notices in Publishers Weekly and Library Journal.

…I wanted those reviews to be starred.

…I wanted people to read the reviews and buy my book.

I wanted my peers to read my book.

I wanted people to see me in my book.

Oddly enough, I got all these things, just not enough. Could it ever be enough?

When I decided to take a hiatus from publishing I freed myself from all the wants. I didn’t know it would happen, that I would become an arborist, just that I needed a job and loved the idea of saving trees.

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Wants are painful, even if you get what you want some of the time. You know the jewel-toned leaves on the forest floor, dreams right in front of you? You can touch them, but you can’t possibly collect them all. I was always caught up in the desire, and the reality invariably fell short. Gautama Buddha: Desire is the cause of all evil.

What do I want now that my work is so different? I want to be wantless. What’s right in front of me every day: a strong cup of coffee. A restroom near the site. Clear weather. Protecting a root. Seven hours of sleep. The foreman smiling at me, chewing his cigar. (He doesn’t know I’m a writer, and couldn’t care.) Not having to endure too much of a logjam on the drive back home. And again, saving a root. Simple.

Saving a root, I am saving myself.

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The Exquisite Realism of Pleats

Hiatus. Mine was a long one, at least in the terms of this daily blog. I took off in the spring to research my new novel, then to write the novel, then to take a break after writing the novel, then putting the novel on the market. Now, with my foot up after a third time under the knife (yes, I have three feet), I’m back.

The daffodils came and went, the waves crashed at the beach, but I feel I’ve been inside these months much more than outside. Inside my cranium. The seasons have changed largely without me, and now along comes Fall.

I don’t work at night. The Cabin resides in a quiet, still, isolated pocket of land at the edge of an insect-buzzing marsh. We’re cloistered in the middle of nowhere. Or at least it feels like that, which is remarkable since we’re less than an hour from the lights of New York City. My point is, there’s not a lot of hubbub around, not a lot of human distractions. So after dinner, with Oliver keeping a lookout out at our feet, we either read or consume a fair dose of high-concept binge fare.

O beseeching

We visit different worlds.

It’s hard to get history right on tv. Often it’s too cheesy to watch, whether because of the dialogue, scenery, fashions or some combination that makes you say, I know it wasn’t like that. And turn it off. Go read some good historical fiction instead!

But I’ve been watching a show that manages to have a little cheese and a fair amount of heart at the same time, along with exquisite attention to detail. The premise is time travel, my favorite subject.The Outlander series takes a young English woman just after World War One (she’s a battlefield nurse) and sends her through a witchy wormhole (actually a Stonehenge-like circle of obelisks) back to 1740s Scotland. Adventures and romance ensue. What interests me is the devotion to detail on the part of the producers, down to the beautiful and so carefully sewn pleats in the wedding gown of the protagonist, Claire. Apparantly they are entirely consistent with the real McCoy. There are plenty of people out there waiting to pounce on you if you don’t do it right, but so far a war hasn’t broken out between the pleats and the pin tucks, so we’re okay.


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As a writer of historical fiction, I know that you must constantly make choices about where to nail the absolute fact and when you can fudge. In fact, sometimes you must fudge, because the absolute fact would be unpalatable for contemporary readers. It fascinates me to hear about the choices made by the costume designer for Outlander, Terry Dresbach. (How’s that for a fitting name?)

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Leafy Air and Cheese

I can breathe again. I took a trip to Michigan and Wisconsin, the Great North Woods, which has leafy air worthy of inhaling.

Also, sweet black cherries worthy of devouring. They sell them, washed, plump and juicy, from little stands at gas stations.

cherries

I experienced a hailstorm that hit just as our sailboat anchored in that lovely private lagoon a ways into Lake Superior. Just enough to put every wet person on board in stitches.

I can breathe again because I turned in the manuscript of my new novel and my editor said he likes it. A lot. That’s an outsize sigh of relief. It made me open to everything around me.

I found that lying in bed on the shore of Lake Michigan, I could feel every delicious cotton fiber with my toes.

I saw the sights, hugged family, brought home souvenirs from people who had made them with their hands.

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There was rye flour from the farmer who grew it, at Maple Hill Farm in Washburn, Wisconsin.

And fingerless gloves knitted by his wife. She sewed a pad of suede on the palm for good gripping.

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The Northland is kind, even its rusty old trucks.

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The region loves its fish. Smoked, fried or souped.

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It offers a hundred different moccasins.

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Thrives on pop (drive-in menu, top right). Known to us North Easterners as soda.

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Then, of course, there is the cheese. I tasted a Michigan dairy’s Colby-style specimen, bright orange and moist, that was produced from a 1915 recipe.

Did I mention that my editor liked it? The novel, I mean, not the cheese.

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Finding Rosebud

I told myself I would have it done by the time the roses bloomed.

soft rose

My new novel, that is.

I do that sometimes, set an arbitrary time of year – not a date, never a date – when I will finish a book. It gives me something to shoot for. When the trees turn red. When the first snow falls. A seasonal moment which my project will match with its completion.

When the roses bloom.

I have been working for some time on a manuscript that shows some signs that it wants to be finished. But I still have chapters to revise before I can call it done. Yet it’s Spring, high rose season.

Just to see where things stood, how far behind I was, I thought I would pay a visit to the lovely grounds of Lyndhurst, the historic site near my house. This was the estate of the robber baron Jay Gould, and the old mansion is grey and gothic and not to my taste, though the huge specimen trees and plantings always astound. There is a fantastic heirloom rose garden there, one that I usually seem to get to too late to enjoy the blooms at their height.

This year the place was nearly deserted, and the circle of plants looked suspiciously green as I approached across the perfect lawn. There were two visiting matrons; one said, You must not miss the yellow blossoms on that bush, they smell like lemon.

yellow roseos

And they did. But the lemon roses were one of only a few shrubs out of dozens there that were actually in bloom. Others offered wicked thorns.

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Or buds so tightly sewn up it was hard to imagine them ever opening.

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I’ve come across some thorns and some sewn-tight problems in the narrative I’m working on, so I could appreciate them. I wished I could have seen Lyndhurst’s roses, lush, exploded, lemon, yes, but also vanilla, musk and all the other scents that don’t have proper names imagined yet.

More than anything, though, I felt happy. Because the roses had not yet bloomed, and my novel will bloom when they do.

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Stuck in the Middle of My Novel With You

I have been meaning to write and say that I’m taking a bit of a hiatus from writing this blog — but I guess that’s kind of obvious. Not that I don’t adore posting here, I do. And I have the greatest readers in the world. But I am stuck in the middle of novel-world, and my writing in the fictional format seems to be taking all of my mental energy. I’m telling the story of a teenage girl in Revolutionary-era NYC. She looks a bit like this, as I imagine her.

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I have her portrait tacked up to my bulletin board. And now I have to get back to her.

I will still post here from time to time, and pretty soon I’ll dive back in to the real world, and my real blog, every day.

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High-Energy Serendipities

At the National Arts Club the other night, before I gave my presentation, a very nice photographer named Bruce Allan took me by the hand and led me around from one atmospheric spot to the other to get just the right portrait of me.

JZ Light

Then, as I went on and on (as I often do) talking about Savage Girl and historical fiction and New York City, showing remarkable pictures of Manhattan during the Gilded Age, Bruce captured me again.

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He also caught the musicians Henry Chapin (fiddle) and Mark Ettinger (accordion) playing music of the era. So infectious was their performance, they got people who were there only to listen up on their feet to dance. “I danced a reel!” one friend enthused afterward.

Musicians

All in all, a high-energy event, filled with serendipities.

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National Arts Club Talk Wednesday 8pm

I’m so looking forward to giving a presentation at the venerable National Arts Club on New York City’s Gramercy Park tomorrow night, April 16th at 8:00. The Club is housed in a beautiful old mansion, the perfect spot for time traveling back to the late nineteenth century. I will show pictures during my talk, sign books afterwards, and exhort guests to dance to our live musicians playing tunes from Savage Girl’s era. The celebration is free and open to the public. Please come if you’re in the neighborhood!

SG Flier Gramercy

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Cactus Blossom Special

Three quarters of an inch of precipitation. That’s all they’ve had in Scottsdale this year. Luckily, baby saguaros like this juvenile don’t need much to thrive.

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They become monsters with just a little drink of water at a time.

grown saguaro

When you feed your mind, water it, fill it with the energy it needs to think, to write, how much is required? Could your creativity survive a drought?

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The stuff you produce can be succulent as saguaro flesh, piercing as its spines.

Flowers. The few buds that materialized this year, three-quarters of an inch worth. The cholla cactus can only just manage to squeeze them out, it seems.

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But when you find a blossom — when you discover one in yourself, especially after a dry spell — it’s ravishing.

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Savage Girl O Mag Pick

Savage Girl might never be an Oprah Pick. But that doesn’t mean the book doesn’t rank some standing in O The Oprah Magazine.

April Oprah

A friend of mine mentioned that she read the glossy’s April 2014 issue and saw Savage Girl highlighted there as one of “Ten Titles to Pick Up Now.” She probably noticed this while sitting in the pedicure chair of her local nail salon. Anyway, that is where I usually thumb through O.

The issue includes such salient topics as “When Is It OK to Lie?” and “Want to Get Gorgeous?” Both questions that actually have much bearing on Bronwyn’s various quandaries in my novel. I think the savage girl would likely be fascinated by O. She would probably eventually find herself on Oprah’s show, also, buoyed up on waves of fandom.

I tear out scraps of paper from magazines I find in nail salons, hair salons, doctors’ offices, vet waiting rooms. Do you? Enough people do that, put the scrap in their pocket, go to a book store, touch the novel’s jacket – one reader described the feel of it as “butter” – and take it home, and Oprah may well make it a Pick someday.

 

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