Category Archives: Writing

The Exquisite Realism of Pleats

Hiatus. Mine was a long one, at least in the terms of this daily blog. I took off in the spring to research my new novel, then to write the novel, then to take a break after writing the novel, then putting the novel on the market. Now, with my foot up after a third time under the knife (yes, I have three feet), I’m back.

The daffodils came and went, the waves crashed at the beach, but I feel I’ve been inside these months much more than outside. Inside my cranium. The seasons have changed largely without me, and now along comes Fall.

I don’t work at night. The Cabin resides in a quiet, still, isolated pocket of land at the edge of an insect-buzzing marsh. We’re cloistered in the middle of nowhere. Or at least it feels like that, which is remarkable since we’re less than an hour from the lights of New York City. My point is, there’s not a lot of hubbub around, not a lot of human distractions. So after dinner, with Oliver keeping a lookout out at our feet, we either read or consume a fair dose of high-concept binge fare.

O beseeching

We visit different worlds.

It’s hard to get history right on tv. Often it’s too cheesy to watch, whether because of the dialogue, scenery, fashions or some combination that makes you say, I know it wasn’t like that. And turn it off. Go read some good historical fiction instead!

But I’ve been watching a show that manages to have a little cheese and a fair amount of heart at the same time, along with exquisite attention to detail. The premise is time travel, my favorite subject.The Outlander series takes a young English woman just after World War One (she’s a battlefield nurse) and sends her through a witchy wormhole (actually a Stonehenge-like circle of obelisks) back to 1740s Scotland. Adventures and romance ensue. What interests me is the devotion to detail on the part of the producers, down to the beautiful and so carefully sewn pleats in the wedding gown of the protagonist, Claire. Apparantly they are entirely consistent with the real McCoy. There are plenty of people out there waiting to pounce on you if you don’t do it right, but so far a war hasn’t broken out between the pleats and the pin tucks, so we’re okay.


pleats-e1411911658528-768x1024

As a writer of historical fiction, I know that you must constantly make choices about where to nail the absolute fact and when you can fudge. In fact, sometimes you must fudge, because the absolute fact would be unpalatable for contemporary readers. It fascinates me to hear about the choices made by the costume designer for Outlander, Terry Dresbach. (How’s that for a fitting name?)

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Slowdown Saturday

A knuckle-sized frog hopped straight by the woodpile.

A butterfly lit on a thistle.

Chickadees flocked around the bird feeder, making off with safflower seeds.

A long day, reading a long novel.

Excitement: Oliver thundering from the porch toward the rabbit he’ll never catch.

It grew cool, deep shadows stretched across the grass.

Then there were dinner pancakes, made with fresh-laid eggs from the good neighbor’s coop and local blueberries, soaked in a friend’s home-tapped maple syrup.

blues

“Summer afternoon, summer afternoon,” said Henry James. “To me those have always been the two most beautiful words in the English language.”

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Sand Between the Toes

I’ll tell you something about Jones Beach. It’s a democratic place. Anyone can put up a flashy pink umbrella.

pink umbrella

I saw one today.

Anyone who’s in New York can go to Jones. And everyone does. In August, before the jellyfish descend, the water is superbly cold and the waves fantastic for diving through. Surfers can be seen far off shore, catching small waves. It’s hard to get to Maui, after all.

Children play at the water’s edge shoveling holes in the endless strand, all un-helicoptered by any adult, and sitting on your towel you have absolutely no responsibility for them. Just enjoy their blissful ways from a distance, a dumbshow of babyhood. (In fact there were helicopters, real ones, Blackhawks that made a low pass along the shore.)

There’s the smell of the surf, as primal as that of cut grass. I measure my mood by my receptivity to these aromas. Throw open the windows – what is that that smells so good? Oh, it’s the smell of the ground after it rains, everyone’s favorite. There was actually a poll. But the briny air at Jones Beach came in a close second.

Fifteen-year-old girls make their way by like flamingo offspring, ducking their heads, so shy.

The man carrying a cooler full of ice cream: Chipwich! Frozen fruit bars! Dry ice makes the treats hard as concrete. He smiles though the sand must be a carpet of hot coals under his bare feet. His favorite places when he gets off? A bowling alley. A cave. He loves to wear shoes.

But what I like best is the sight of the old couples, the well-worn lovers, brown as belt leather and greasy with lotion, sitting silently side by side in their low chairs. They never speak. They go everywhere together. As one, they stay still, confronting the sun.

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Leafy Air and Cheese

I can breathe again. I took a trip to Michigan and Wisconsin, the Great North Woods, which has leafy air worthy of inhaling.

Also, sweet black cherries worthy of devouring. They sell them, washed, plump and juicy, from little stands at gas stations.

cherries

I experienced a hailstorm that hit just as our sailboat anchored in that lovely private lagoon a ways into Lake Superior. Just enough to put every wet person on board in stitches.

I can breathe again because I turned in the manuscript of my new novel and my editor said he likes it. A lot. That’s an outsize sigh of relief. It made me open to everything around me.

I found that lying in bed on the shore of Lake Michigan, I could feel every delicious cotton fiber with my toes.

I saw the sights, hugged family, brought home souvenirs from people who had made them with their hands.

rye

There was rye flour from the farmer who grew it, at Maple Hill Farm in Washburn, Wisconsin.

And fingerless gloves knitted by his wife. She sewed a pad of suede on the palm for good gripping.

fingerless

The Northland is kind, even its rusty old trucks.

kindness

The region loves its fish. Smoked, fried or souped.

whitefish

It offers a hundred different moccasins.

bambi

Thrives on pop (drive-in menu, top right). Known to us North Easterners as soda.

pop

Then, of course, there is the cheese. I tasted a Michigan dairy’s Colby-style specimen, bright orange and moist, that was produced from a 1915 recipe.

Did I mention that my editor liked it? The novel, I mean, not the cheese.

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Finding Rosebud

I told myself I would have it done by the time the roses bloomed.

soft rose

My new novel, that is.

I do that sometimes, set an arbitrary time of year – not a date, never a date – when I will finish a book. It gives me something to shoot for. When the trees turn red. When the first snow falls. A seasonal moment which my project will match with its completion.

When the roses bloom.

I have been working for some time on a manuscript that shows some signs that it wants to be finished. But I still have chapters to revise before I can call it done. Yet it’s Spring, high rose season.

Just to see where things stood, how far behind I was, I thought I would pay a visit to the lovely grounds of Lyndhurst, the historic site near my house. This was the estate of the robber baron Jay Gould, and the old mansion is grey and gothic and not to my taste, though the huge specimen trees and plantings always astound. There is a fantastic heirloom rose garden there, one that I usually seem to get to too late to enjoy the blooms at their height.

This year the place was nearly deserted, and the circle of plants looked suspiciously green as I approached across the perfect lawn. There were two visiting matrons; one said, You must not miss the yellow blossoms on that bush, they smell like lemon.

yellow roseos

And they did. But the lemon roses were one of only a few shrubs out of dozens there that were actually in bloom. Others offered wicked thorns.

thorns

Or buds so tightly sewn up it was hard to imagine them ever opening.

buds

I’ve come across some thorns and some sewn-tight problems in the narrative I’m working on, so I could appreciate them. I wished I could have seen Lyndhurst’s roses, lush, exploded, lemon, yes, but also vanilla, musk and all the other scents that don’t have proper names imagined yet.

More than anything, though, I felt happy. Because the roses had not yet bloomed, and my novel will bloom when they do.

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Stuck in the Middle of My Novel With You

I have been meaning to write and say that I’m taking a bit of a hiatus from writing this blog — but I guess that’s kind of obvious. Not that I don’t adore posting here, I do. And I have the greatest readers in the world. But I am stuck in the middle of novel-world, and my writing in the fictional format seems to be taking all of my mental energy. I’m telling the story of a teenage girl in Revolutionary-era NYC. She looks a bit like this, as I imagine her.

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I have her portrait tacked up to my bulletin board. And now I have to get back to her.

I will still post here from time to time, and pretty soon I’ll dive back in to the real world, and my real blog, every day.

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High-Energy Serendipities

At the National Arts Club the other night, before I gave my presentation, a very nice photographer named Bruce Allan took me by the hand and led me around from one atmospheric spot to the other to get just the right portrait of me.

JZ Light

Then, as I went on and on (as I often do) talking about Savage Girl and historical fiction and New York City, showing remarkable pictures of Manhattan during the Gilded Age, Bruce captured me again.

JZ talking

He also caught the musicians Henry Chapin (fiddle) and Mark Ettinger (accordion) playing music of the era. So infectious was their performance, they got people who were there only to listen up on their feet to dance. “I danced a reel!” one friend enthused afterward.

Musicians

All in all, a high-energy event, filled with serendipities.

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National Arts Club Talk Wednesday 8pm

I’m so looking forward to giving a presentation at the venerable National Arts Club on New York City’s Gramercy Park tomorrow night, April 16th at 8:00. The Club is housed in a beautiful old mansion, the perfect spot for time traveling back to the late nineteenth century. I will show pictures during my talk, sign books afterwards, and exhort guests to dance to our live musicians playing tunes from Savage Girl’s era. The celebration is free and open to the public. Please come if you’re in the neighborhood!

SG Flier Gramercy

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Cactus Blossom Special

Three quarters of an inch of precipitation. That’s all they’ve had in Scottsdale this year. Luckily, baby saguaros like this juvenile don’t need much to thrive.

juvenile

They become monsters with just a little drink of water at a time.

grown saguaro

When you feed your mind, water it, fill it with the energy it needs to think, to write, how much is required? Could your creativity survive a drought?

prickers

The stuff you produce can be succulent as saguaro flesh, piercing as its spines.

Flowers. The few buds that materialized this year, three-quarters of an inch worth. The cholla cactus can only just manage to squeeze them out, it seems.

cholla

But when you find a blossom — when you discover one in yourself, especially after a dry spell — it’s ravishing.

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A Boat in the Desert

Life finds me this April Fool’s Day in a boat on a lake in the middle of a desert in the state of Arizona. It’s gusty and the waters form a chop that throws droplets onto me and the rest of the sightseers, who seem to have formed a plan to come aboard dressed in butterfly wings, the preferred colors of the Southwest.

boat

The captain’s name, he announces over the loudspeaker, is Tom. Captain Tom will narrate the tour on the Pioneer Belle, speaking steadily for an hour and a half about the natural graces of the landscape and their deeper meanings. But first he spins a tune, Splish Splash, and I see him singing along as he maneuvers the big steering wheel to push back the boat from the dock.

Rock faces and hills rise improbably out of the drink. I am impressed by the facts the captain spiels – that Stewart Mountain Dam was built in 1930 to create this body, Saguaro Lake, that the depth of the water here is exactly 118 feet, that those white streaks you see on the dark rocks are “one hundred percent eagle poo.” Bald eagles are known to propagate here, soaring high above the cliffs.

elephant

Saguaros grow in unlikely places, Captain Tom says. They have a tap root of just three inches. “The saguaro seemingly doesn’t need any soil, it pinches itself into the rock,” he says. Some specimens have been alive two hundred years. You can tell by the plethora of arms.

old saguaro

“It’s freezing!” says a woman seated in front of me. There is a stiff breeze. But, no, don’t say freezing in front of a New Yorker who has just emerged from this biting winter.

Captain Tom offers up a Kenny Chesney tune: Raw oysters, yeah, give me one and shuck it… He’ll go coastal on you.

Yes, Captain Tom is a little cheesy. You don’t know how hard it is to be exactly the right degree of cheesy until you stand up with a mike in front of a crowd that has absolutely no knowledge of what you’re talking about, that just wants to kick back with a beer in the sun and breathe…

After doing book talks, I appreciate the skill of Captain Tom.

We hear about the sharp-winged vultures circling above, who “never need to flap their wings – they come out here to play, I’m certain of it.”

About the amethysts discovered in the nineteenth century in the nearby Four Peaks range and how they found their way “into the crown jewels of five countries.”

four peaks

Captain Tom tells us, “I don’t make this stuff up. You can’t make it up.” Now isn’t that a line he stole from my presentation about historical fiction?

Desert varnish, says Tom, is created when manganese and iron leach out onto the face of a canyon wall.

Not listening, the golden tanned woman seated in front of me stretches out her arms. “Can you smelll the water? I love that smell,” she says to her companion.

“The large mouth bass is the trophy fish here,” says Tom, along with the walleye and some others.

“Nature’s something else, isn’t it?” says a man with a beer can.

As if prompted by Tom’s remark, a fisherman in a nearby boat pulls a yellow-silver bass out of the water, and the crowd breaks into applause.

Tom puts on another Kenny Chesney tune: No shoes, no shirt, no problem. He tells us things I didn’t know, that blue heron colonies are called heronies, that desert bighorn sheep can climb at an angle of 85 percent. That said sheep have a life cycle of just two years.

“Oh, that’s sad!” says someone who is listening to Tom. Someone who is not listening tells her friends that she is an expert waterskier and has performed her magic on every lake in Arizona. “I can get up in an instant, but after you get off your legs are like jelly sometimes.”

saguaros

Those who did not listen to Tom can buy a DVD of the captain’s talk, complete with 120 good photos.

I might make DVD’s available when next I present about a book.

“I’ll take a few minutes and bring you back in time to the earliest residents of the Salt River Valley, the Hohokum,” says Tom, and again I feel a kindred spirit with our sightseeing boat’s narrator, that here is something I might invite an audience to do, go back in time, visit a marvelous place…

“The Hohokum,” says Tom. “The name means Those Who Have Vanished.”

“Wow,” says the waterskier.

More music, from Darius Rucker:

So rock me momma like a wagon wheel

Rock me momma any way you feel

Hey momma rock me

Rock me momma like the wind and the rain

Rock me momma like a south bound train

Hey momma rock me

Tom calls out the beauty in the drabness of the rocks all around, the chemistry of lichen, and I see the way the granite can resemble faces, as clouds can.

lichen

There is grandeur here in the ironwood trees that can live up to 1,500 years. Is the water blue or green? I am getting sun-stunned, and Tom’s voice is so lilting. I see why people drift off during book talks.

Somehow the last anecdote the captain relates, as the boat approaches the dock, is the most powerful, though it lacks inches or years or other measures, and only has the teller’s personal voice. Tom was building a house at the edge of this desert that surrounds us, he says, and he laid down a smooth coat of dirt beside the foundation and wetted it well with water. He came back to the patch of earth later to find mouse tracks, pack rat indentations, the footprints of gambrel quail, of coyotes, javelina, and the slithery imprint of a snake. He saw this with his own eyes, he says.

I was wide awake in a boat on a lake in the middle of the desert, and I heard it.

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Savage Girl O Mag Pick

Savage Girl might never be an Oprah Pick. But that doesn’t mean the book doesn’t rank some standing in O The Oprah Magazine.

April Oprah

A friend of mine mentioned that she read the glossy’s April 2014 issue and saw Savage Girl highlighted there as one of “Ten Titles to Pick Up Now.” She probably noticed this while sitting in the pedicure chair of her local nail salon. Anyway, that is where I usually thumb through O.

The issue includes such salient topics as “When Is It OK to Lie?” and “Want to Get Gorgeous?” Both questions that actually have much bearing on Bronwyn’s various quandaries in my novel. I think the savage girl would likely be fascinated by O. She would probably eventually find herself on Oprah’s show, also, buoyed up on waves of fandom.

I tear out scraps of paper from magazines I find in nail salons, hair salons, doctors’ offices, vet waiting rooms. Do you? Enough people do that, put the scrap in their pocket, go to a book store, touch the novel’s jacket – one reader described the feel of it as “butter” – and take it home, and Oprah may well make it a Pick someday.

 

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Deep in the Novel Cave

Sshhh. I can’t hear you. I am writing a book. Or as Father John Misty said in a song last year, “I’m writing a novel, because it’s never been done before.”

I want to make amends for letting my daily posts slide a bit recently. It’s partly that I’m preoccupied by the release of Savage Girl, yes. But more relevant, perhaps, I have been deep in novel-writing, a process that in my experience tends to zone out most other activity. Like laundry, dishes, housekeeping.

My new book tells the story of a girl in 1776 New-York (back when the city had a hyphen), and I have been spending all my time in that British-occupied city.

Let me tell you what it is like in my household when Gil and I are writing books.

We wake. Let Oliver out the door. Let Oliver back in.

winsome OIiver

Coffee, lots of it. We sit down at the computer. Get up for lunch, the lightest lunch possible so that we won’t be sluggish in the afternoon. Sit down once more at the computer. Knock off in the late afternoon. Let Oliver take us for walk. Dinner. Game of Thrones reruns. A fitful, novel-haunted sleep.

Next morning, begin again.

It is boring. It is fascinating. To me, anyway, if to no one else.

“There are three rules for writing a novel. Unfortunately, no one knows what they are.” Thus quoth Somerset Maugham. And so it is really a matter of creating new rules, a new language, every single day until you get your 450 manuscript pages finished. You never know what you’re doing. It’s insecurity raised to the max, alternating with momentary blips of glee that you got something right. Got something write. Ha.

Anything outside that process is hard to fathom, hard to incorporate – the spring buds on the trees, the return of the birds, social beckonings, exercise, even cooking good food, something that for me almost never falls by the wayside.

I remember years ago attending a party with a book freshly done, wiped out, eyes bleary, toasted to a turn, and thinking that it was impossible to even have a social conversation with someone who had not just finished a book. I simply could not relate to a book-less human being.

“There is nothing to writing,” said Hemingway, “All you do is sit down at a typewriter and bleed.” A mite melodramatic, are we?

Once upon a time, the novelist Amy Tan’s house burned down with her manuscript in it. She didn’t have another copy. She said she had no interest in talking to anybody whose house had not burned down, she was so consumed by what had happened.

So Gil and I retreat into our little cave, better known as the Cabin. The only thing in the Cabin is, right now, a pair of computers. And a dog. (Oliver refuses incontrovertibly to fall by the wayside.) There is the odor of hyacinth in the air, a strangely chemical smell, if beautiful. And a new page to be written, with words I cannot yet imagine.

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Wolf Boys and Girls

Feral children, wild children, human beings raised by wolves… or bears… or goats… or rats… How credible are the stories of their existence?

They’ve inflamed the popular imagination for centuries. Surely it is impossible to believe that a mama wolf will take in a human baby and suckle it with her own. Surely it is outlandish for a little boy or girl to come in from the wild, hale and fed if not very well groomed, with the claim of having been nurtured from infancy by animals. Yet their demeanor would seem to lend credence to the claim – no human language of any kind, an alien affect, absolutely zero table manners.

Stories of feral children surface up to the present day. The archetype might originate with Romulus and Remus.

rom-rem

Roman legend has it that the twin sons of Rhea Silvia, a priestess, and the god Mars were raised by wolves. When it was found that she had been pregnant and had children, King Amulius, who had usurped her father’s throne, ordered her to be buried alive and for the twins to be killed. Instead, they were set in a basket on the Tiber, where a she-wolf found them and raised them until the boys were discovered as toddlers.

Probably the best known wild child today is fictional. Mowgli, invented by the protagonist of Rudyard Kipling’s The Jungle Book stories in the 1890s, became a contemporary star with Disney’s 1967 massive hit animated film of the same name. According to Kipling’s hugely successful telling, Mowgli lost his parents in a tiger attack in Central India and is adopted by Mother and Father Wolf.

junglebookblog2

A tiger wants to adopt him, a panther befriends him, and Mowgli wins the respect of all through his unique ability to extricate thorns from the paws of his wolf brothers.

Lockwood-kipling-red-dog-illustration

He is ultimately adoped by human parents and brought into civilized society.

In the Disney version, Mowgli, “man-cub,” wants nothing more than to remain in the carefree forest among his baboon, elephant, sloth and panther friends, even after he has been told by many that he must return to the Man-Village. He only goes when he becomes smitten by young girl and follows her back to civilization.

disney-mowgli-and-baloo

A similar feral child novel from slightly later than Kipling is Shasta of the Wolves. In Shasta, a boy raised by a pack in the Pacific Northwest goes back and forth between a human tribe and his wolf clan… ultimately deciding to stay with the pack.

shasta illustration

Mowgli has always been seen as a major influence on Edgar Rice Burroughs in developing his own feral child story Tarzan.

tarzan:jane

Appearing first in 1914 and followed by fully 25 sequels, Burroughs’ Tarzan of the Apes captured the American imagination. The movies expanded the franchise — Between 1918 and 2008, 89 movies starred Tarzan, with the most famous portrayal being that of Olympic swimmer Johnny Weissmuller. Tarzan is the quintessential noble savage, a man who manages to navigate two worlds with ease.

Orphaned as a child, Tarzan finds himself adoped by the leader of the ape tribe that killed his father – while Tarzan is his ape name, his English name is John, Clayton, Viscount Greystoke. As a young adult, Tarzan falls in with Jane, an American whose father and the rest of their party have been marooned in the jungle. They fall in love and he follows her back to the United States, marries her and the couple return to Africa, where they have a son. Intelligent, handsome, athletic, Tarzan lives up to his noble background though in the guise of a forest creature. His loin cloth is all he needs for clothes, a tree branch his preferred bed, raw meat the nutrient he favors. His upbringing represents the opposite of deprivation – this child of nature gained agility, speed, endurance and strength from his ape family – and yet, when he returns to civilization, he is able to adapt, learn languages, speak grammatically and make his way in civilized society.

Before the mythic creations of Mowgli and Tarzan, other, real, historical feral children fueled the public imagination. One related phenomenon is that of people afflicted with the genetic condition known as hypertrichosis, which causes an individual to resemble an animal in the growth of fur all over the body. Many children with the condition were exhibited in American side shows in an earlier period.

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But non-hairy wild children fueled public fascination the world over. The best known, Victor of Aveyron, lived at the turn of the nineteenth century in rural France.

Victor

He was prepubescent when he emerged from the woods near Saint-Sernin-sur-Rance in 1798, having been spotted by a trio of hunters. How he had lived during his childhood was unknown, but that he only grunted, that he showed no modesty about his nakedness, that he periodically returned to the forest, that he had numerous scars on his body, that he seized potatoes hot from the hire, told his captors that his was a feral childhood. Shortly after he came in from the woods he was seen frolicking nude in the snow – a sign that he could tolerate exposure.That and the central feature of his existance, his lack of speech. It was clear that he could hear. A young physician named Jean Marc Gaspard Itard adopted the boy and worked with him for five years to teach the boy and the case became a cause celebre.

victor_itard

Whether the boy could learn language inflamed the debate over what distinguished man from animal. Did the Wild Boy of Aveyron exist in a pure state of nature? Could he be civilized? Ultimately, Victor learned only two phrases : lait (milk) and Oh, Dieu (Oh, God). Itard published his A Historical Account of the Discovery and Education of a Savage Man in 1802. Today we know of Victor and kindly Dr. Itard through L’Enfant sauvage, The Wild Child, Francois Truffaut’s masterful 1970 film.

Peter of Hanover wandered out of the woods near the town of Hamelin, near Hanover in Germany, in 1726 — or was hunted down; accounts differ — and soon became the talk of Europe. He was around fourteen, naked, mute, and resistant, when he arrived in London and came under the protection of King George I and his court. The child had a predilection for acorns, and was fascinated upon hearing a watch strike the hour for the first time. George I did not speak English himself, and hailed from the same part of Germany as this mysterious wild child, explaining some of his attraction.

NPG D3895; Peter the Wild Boy by John Simon, after  William Kent

Plus, anthropology had come in vogue, with people bringing back accounts from foreign lands about savages, Hottentots, children reared by animals. Was Peter truly human or was he more along the lines of an orangutang? The media went wild over Peter, commenting on his primitive demeanor, wondering at his forest upbringing, marveling that the King adopted him as a kind of court pet. Writers hailed him as a wonder of nature and his likeness thrilled visitors to a celebrated was museum. Daniel Defoe proclaimed him the only truly sensible person alive. Peter never learned to utter a word, and eventually spent a long life being cared for on a farm in the country.

Another feral child was even more mysterious. Kaspar Hauser simply appeared one day in 1828 at the city gate of German’s Nuremberg, strangely dressed and, once again, mute.

kaspar hauser

He was around 17, and he carried a letter asking that he be given a place in the calvary. He could write his name, but he would eat only bread and butter and preferred to spend his days seated on the floor playing with toy horses. Philosophers visited him to try to understand what could have caused his strange, dull behavior (no swinging on vines for this one). The fascination has continued up to our time, with a 1974 movie done on his life, The Enigma of Kaspar Hauser by Werner Herzog.

review_BrunoS_KasparHauser

The foundling did manage some speech, developed a love for music, and became a skilled horseman, and eventually the memory returned of his childhood, having been imprisoned in a dark room, fed by a man he never saw. Not a child raised by wolves, but by a predatory human. He was eventually murdered in a public park by a stranger at the age of 22.

Feral children are not all boys. One famous wild child of the eighteenth century was Marie-Angélique Memmie Le Blanc, who was born in 1712 and became known as The Wild Child of Songy. Born into a Native American community and brought from Canada to Marseilla during the bubonic plague epidemic of 1720, the girl survived for ten years walking through the forests of France.

feral girl

She survived not by living with wolves but by battling them with a club. Captured, she went for ten years without speaking but eventually did take up words. Accounts of her life were widespread – popular pamphlets, books by historians and naturalists all fed the maw of interest in her feral upbrininging.

Of the many more instances of children who managed to survive in the wild, some have been discounted outright. Still, it is fascinating to see the interest that embraces those nurtured by all different sorts of animals. Nineteenth-century men and women devoured tales about the Lobo Girl of the Devil’s River, captured after her wolf sojourn, who managed an escape in 1846 and was last spotted at age 17 in 1852. Earlier, people hungered for tales of an Irish boy brought up by sheep, recorded by Nicaolaes Tulp in 1672. There was the Bear-Girl of Krupina, Slovakia, dating to 1767. The Ostrich Boy, named Hadara, lost in the Sahara by his parents at the age of two and reclaimed ten years later. The Chilean boy raised by pumas. Robert, who lived with vervet monkeys for three years when orphaned during the Ugandan Civil War. A Peruvian boy nurtured by goats. I have even heard of a girl raised by rats.

So nothing in Savage Girl should inspire disbelief, no matter how farfetched it sounds. No, nothing at all.

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Talk-Ossining, NY Public Library

It will be a special pleasure to give a talk about Savage Girl at my local library, where I have spent untold hours doing research, writing, and dreaming out the windows. If you are somewhere nearby on this Wednesday, March 26, please come!

Jean Zimmerman Flier (March 2014)

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Filed under Culture, Fiction, Home, Jean Zimmerman, Publishing, Savage Girl, Writers, Writing

New York Times Sunday Book Review-Savage Girl

“A sweeping narrative…that raises touchy questions about what it means to be civilized,” by a “canny author,” with “wondrous sights”– all great phrases when crime writing pro Marilyn Stasio of the New York Times Sunday Book Review includes them in her review of Savage Girl. Coming up this Sunday, March 21st, but you can check it out in advance.

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Filed under Fiction, Jean Zimmerman, Publishing, Savage Girl, Writers, Writing