Category Archives: Writers

The Secrets of Washington Square

I have always been fascinated by the early history of New York City’s Washington Square. Once upon a time, as shown in a 1782 document called The British Headquarters Map, a waterway called Minetta Brook passed from around 21st Street and Fifth Avenue down through Washington Square and on to Greenwich Village. The waters of this ancient stream still run through some downtown basements.

minetta brook

The early topography of Manhattan was to change rapidly in the 19th century, and the park changed too. Graceful row houses went up on Washington Square North in the 1820s. But the reputation of the square was mixed, and public executions still took place there– in 1820, for example, a servant named Rose Butler was convicted of arson and hung there.

And it was a potter’s field, after its swamp was drained in the 1790s, interring the City’s indigent, receiving 22,000 bodies over time. Residents were spooked by a yellow fever epidemic so the graveyard moved uptown. The city bought more land around the square and the Washington Parade-Ground was established, opening July 4th with that mainstay of early America, an ox roast. A crowd of ten thousand attended. More elegant homes gradually went up on the south and north sides of the park. Henry James would situate his incisive novel Washington Square in one of them in 1880.

 

james wash square

But all those bodies underfoot. Did you say potters field? Walking under the arch (erected as a temporary grace note in 1889 out of plaster and wood, then made permanent in Tuckahoe marble, designed by Stanford White in 1892), I found myself obsessed with what lay beneath my feet.

wash square

In June, I accompanied a Con Ed team to install a new gas line at the junction of Washington Square East and Washington Square South. It was a cloudy day, spitting rain. The canopy of a forty-foot honeylocust tree spread above us, its trunk behind the park’s iron fence, in its maturity at least 75 years old. A short distance away, also on the park grounds, stood its neighbor, a nearly-as-tall linden. The three-foot-deep trench the crew was excavating along the sidewalk turned out to be dug on top of a previous trench, and there were no roots of any kind to protect, so all I did was observe.

The foreman was late to the job, I noted, then smoked a cigar and threw the butt in the pit. I had already taken a turn through the park and learned from a handy Parks Department sign that the goldenrain tree was introduced to America in 1763 from Japan. Not this particular specimen, which would then be over 200 years old. I hopped over a metal chain-link divider and held one hand against the bark – as usual no one bothered me with my blaze orange vest, which invests me with instant authority. The trees of Washington Square Park were all so beautiful, especially against the wool-grey sky.

TiliaDrawing

But did you say bodies underfoot? Six months after my work there a tremendous discovery was announced. Just down the street from where my Con Ed crew was digging in the rust-colored fill that day, a little up Washington Square East, another crew of diggers, these preparing to install a new water main, hit a brick arch only three and a half feet beneath sidewalk level. Through a gap they saw human remains. A second vault was then discovered. A stone was removed, a line of sight. And there were coffins, two dozen or so, including, poignantly, the small coffins of children. Some of the coffins bore lozenge-shaped identification plates.

bones

Excavation stopped, of course. Who were these people? Archaeologists came on site and revealed that at least two churches had cemetaries in the vicinity in the 1820s, and these could be them. It turned out that the first vault had been discovered once before, by Con Ed workers, years ago, who saw about 25 skeletons.

I felt as though I just missed the discovery, back in June, distracted by the honeylocust and linden trees. If only we had known to dig a little deeper. Six inches would be enough. There is so much to find beneath the ground, if you know where to look.

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O Christmas Tree

Went to a Christmas tree farm the day after Thanksgiving. I never thought I’d be a person to get a tree before finishing the leftovers but here I was. Battenfeld’s, in the Hudson Valley, had as many cars as it did trees. The weather was like spring.

tailgate

And dozens of tailgaters made me jealous. I wished we’d brought some chairs and a cooler.

The ranks of trees were mapped in an app you could download: Balsam, White Pine, Douglas Fir, etc., conveniently organized. There was no paper map. Among the beefy, eight-foot specimens you could find the stumps and relics of past years, someone’s Christmas come and gone.

years past

We comparison shopped, topping our fat Concolor with a glove to mark our spot.

tree w glove

Concolor is another name for the White Fir. The most ancient of these eastern trees can get to 350 years old. I heard one of the workers explain that his mother always wanted one because they have the scent of oranges.

A friend was intent on bringing home a blue spruce.

blue spruce

They have that beautiful hue, but their needles make you understand why they are called needles, they are that spiny.

Someone had to cut down our tree. That would be Gil. Ours was, he said, the Plato’s Cave of trees.

gil cutting tree

Peter took plenty of pictures, documenting our U-Pick adventure. Then the day was over, except for dragging the tree away. I learned how wonderful it can be to wander among the conifers, as unnaturally as they are grouped and bred and groomed at a farm. Nothing is left to accident. In the world we live in, it is reassuring to spend time in a place that is accident free.

dragging tree

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Putting the Season to Bed

The leaves have just about all fallen. I was able to identify a horsechestnut – compoundly palmate leaves, in other words resembling your hand – only by a few crisp specimens that hadn’t yet crumbled in the gutter.

Leaf Horse chestnut

I spent a day driving around Brooklyn visiting tree pits that had been disturbed in the process of putting in new sidewalks and that needed fresh topsoil. A young, ceaselessly energetic landscaper named Byron and I hopped from Hendrix Street to Bergen Street to Benson Avenue, giving modest Ginkgoes a light blanket of earth the color of pumpernickel. We were putting them to bed.

ginkgo topsoil

The topsoil provides nutrients for those roots that had just been nudged by shovels and backhoes, but beyond that it’s just a beautiful coating, a frame for the urban trunks and limbs that deserve the best exhibition possible. If it were me walking out my front door in the morning, I would like to see a tree with its feet in that rich, dark dirt.

Visiting tree after tree, I felt melancholy. I knew that this was the last gasp of the season for me. From now on it will be too cold to pour concrete, too frigid for planting, and an arborist has nothing to do but hibernate with the bears. This has actually been three seasons, spring, summer and fall, but it feels like one rush of communion with trees and tree culture, which I’m so grateful to have stumbled into.

I’ve loved the prehistoric looking roots of plane trees pushing out over the sidewalk. Nothing can stop them.

Plane foot

It’s difficult to tell the types of deciduous trees without their leaves, and so I don’t know whether the two dead giants that crashed across our driveway this fall were oaks or maples or sweetgums. Gil’s chainsaw rendered them into neat circles ready to decompose in pieces in the forest, the final stage in the existence of a tree. Meanwhile, the stored power of the living trees all around is banked like a fire, waiting for the warm weather, which I think of as I lie on the couch watching the kiln-seasoned logs burn in our fireplace, with half an eye watching the men wage war in Kagemusha.

Sad as I am to leave the world of trees until the end of winter, I tell myself that the change of season is not a dying, but a gathering of energy, required for the buds that will soon enough come around.

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Lucky Charms

I’ve tried to wean myself from portents, omens, tricks of the light.

Colors that pop have always seemed to be telling me something, like these asters I saw recently at a botanical garden. I took a deep breath, feeling good things were coming my way.

 

Asters

Today I was on the southern shore of Staten Island, supervising tree planting in a New York City park, and everything seemed loaded with meaning. It wasn’t a cheery day, per se. The skies hung dark and grey. This body of water was Arthur Kill, off of the town of Tottenville; the view across was to Perth Amboy, probably not the most swellegant spot in the world. I was chilled beneath my fleece. Still, the sweep of the coast was ravishing.

staten island beach

Colors popped. The detritus on the beach seemed hallucinatory.

seaweed

So did the incredibly complex needle structure of the Pitch Pines (Pinus rigida) we were planting, along with sweetly bushy Junipers.

pine

A perfect little lighthouse floated in front of me. Fishing boats. Buoys. All around brambles, the vivid red of rusty blood. The near-black loam – until recently a dump filled with lovely things like burned cars – was thick with enormous weathered oyster shells. They spoke to me of good things in the past, Indian oyster feasts on the shores here, and in the future, oysters on the half shell that I would consume on ceremonial occasions. The air itself grew more briny, more aromatic, as the day went on.

I’ve always been able to say a) this wonderful thing is happening, therefore b) this wonderful thing will happen. The trouble with that is there is no actual causal relationship between felicities. Life throws things up like a packet of sparkling pins and they don’t always land back in the pincushion.

But today. We were erecting a small forest, perfect in every way. It could have been painted, a brilliant illustration.

trees in a line

One of the crew was leveling an American Sycamore in its pit. The tree held onto one leaf at its very top like a Christmas star.

Christmas sycamore

The planter, Robert, was like a cheerful Bluto, with a pierced eyebrow, an extravagant beard and those tribal lobe-stretching earrings that it was a little surprising to see on a landscaping guy. The tree was straight as a yardstick at the bottom, but leaned south with its upper limbs.

“I hope that rights itself.” I said.

“It’s like in life,” said Robert, smiling. “Everything gets better.”

The crew told me a humpbacked whale had visited just off shore a week ago, chasing baitfish. I wished I had seen it. Maybe I could come back. Now that’s a sight that would pop.

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Peak’s Peaked and Pin Oak Drops

Peak has peaked. Peak has punked out.

In the great northeast in the fall we always talk about whether the leaves are peak. When you head upstate to pick apples and pumpkins you want to know: Is it peak? In other words, are the woods in all their glory?

As our peak is beginning to peter out, I began to wonder what the concept meant more precisely, so I asked the nearest folks I could find.

Gil (scanning the horizon over the marsh): Well, there is still some green and there’s brown too, so… I dunno.

peak over marsh

Maud: Isn’t it different for everybody?

Yes, when the leaves on the trees are as yellow as butterflies, that is some person’s idea of bliss. The best ever. And when the hills are a patchwork of gold, red, orange – but it has to be a perfect day, too, with a vast well of sunshine lighting it all up – and things are going well for you, too – that’s peak for some. Identifying what is beautiful with some kind of precision, it’s a way we define ourselves.

maple leaf

For me, I like the browns. In fact I’m the only person I know whose preferred color is brown. Today I spent time with two handsome pin oaks, currently my favorite tree. They have the leaves with points so sharp they take their name from them, and deeply scalloped sides – called sinuses in the tree world. The pointy parts are lobes and the leaf body itself is a blade, in the department of things we all really should know.

These two fairly massive pin oaks, Quercus palustris, one with a caliper of 21 inches and one fully 26 in diameter, stood in front of a small Asian lady’s house on East 55 Street in Brooklyn, shedding acorns as our crew put in a sidewalk around their roots. Wasn’t Sir Isaac Newton inspired by an apple falling and striking him on the head? I got a lot of ideas today from acorns bonking me on my skull.

oak tree

“I remember when they brought these trees here to plant them,” reminisced the homeowner, talking about the City. “Thirty years ago. They were so small. They carried them in burlap bags!”

I knew what she was talking about, having spent time last week in the Bronx planting Ginkgoes, and having held my hand against the wet burlap before the heavy root ball was set in the earth.

burlap

Today’s pin oak leaves were still green and red, but they were beginning to droop and to turn a russet brown, just the way I like them.

oak leaves

How we apprehend peak reminds me of when people talk about what age they are internally. You may be forty, but do you feel you are twenty-six in spirit? Sixteen? Three? (I hope not, that would be weird). I always think I am all the birthdays scrambled up. Yes, in actual years I am getting close to retirement age, but I turn on the radio and the music makes me a college student.

When I write I am no age at all. Age-free, that’s like being an angel.

Wild boars love those acorns too, but when they snort and snuffle around the oaks in the forest the fallen nuts are called mast. You don’t need to ask what is peak for a pig.

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13 Stolen Girls

There’s a faint possibility I might be biased, but my husband Gil Reavill’s crime novels have just been getting better and better. His first one, 13 Hollywood Apes, from Random House/Alibi, was nominated for a Thriller Award by the International Thriller Writers group. Readers are calling his second, 13 Stolen Girls, “one of my favorite suspense novels for this year” and testifying that “when a book makes you yell ‘Oh-my-God’ out loud and get weird stares from complete strangers, you know it’s good!”

13 stolen

If you’re a thriller-mystery reader, Gil Reavill’s “13” series is a serious treat. He has drawn a feisty, soulful detective, Layla Remington, which I think will lead to a new adjective: “Remington-esque.” Gil just turned in the next installment, 13 Under the Wire, which comes out in January. When readers ask him, “What’s with the thirteen business?” he always answers, “That’s my daily page count,” and is not far off the mark. The man is a demon writer. 13 Stolen Girls is available here.

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To Wee or Not to Wee

Let’s talk bodily functions. One bodily function.

I have crisscrossed Brooklyn many times now saving trees. The availability of a place to pee structures my day. After my commute to the site, always on a residential street with nary a store, the first thing I do is trek to the nearest commercial stretch to beg some bodega owner to use their restroom. It’s 6:45 am. Few places are open. Sometimes the person behind the counter just says No, with a cold, distrustful look in his eye.

Out of order! he sometimes says.

Really?

Women behind the counter more often take pity. One said, after the automatic Out of order! and after I begged her, plucking at my orange vest to show I was somehow for real, Only wee-wee? Yes! So I won her over.

The vest counts for a lot.

The day goes on as we proceed to lay new sidewalk and save trees at different sites throughout the borough, and I take breaks when I can to walk off to find facilities at a pizza parlor, a 7-11, a candy store, a diner. The stall at a diner is bare bones.

bare bones

I come back, the workers are digging. The men are pouring concrete, smoothing it out with their floaters. They’re throwing big hunks of old cement into the bucket of the back hoe.

Did they pee while I was gone?

I ask the engineer on the job: Where do they go?

He laughs. He seems surprised that a woman would raise such a distasteful subject with a man she barely knows. Really, I say. I’ve never seen them leave.

They have their ways, he says.

A laundromat I went to with a kind and respectful proprietor had Halloween decorations all over the walls, including framed ghoul portraits and red bloody handprints across all the washers and driers.

The woman had even decorated the bathroom, so that when you turned to the side this skeleton is what you would see. Giving the paying/peeing customer a little chuckle.

skeleton

We traveled across the country once, Gil, Maud and I, and before we left Gil ordered some kind of device off the web so that we wouldn’t have to stop so often at rest stops. Maud and I were disgusted, we didn’t even look at it. But now I sort of see the point.

I think the crew might have a pail in the back of the truck. One of them dumps it at the end of the day, like a chamber pot.

Female jet pilots take their facilities with them into the sky. When you’re flying for 11 hours, trekking to a bodega is not an option.

There are books and websites devoted to finding women’s rooms in various cities, including Manhattan. As far as I know there is not one on Brooklyn. But the quest leads me into some nooks and crannies I might otherwise regard as unworthy of my time, like a little Mexican grocery on Avenue U. The owner was polite in directing me to the back of the store, and as I walked through, past the kitchen, the aroma of fresh tortillas nearly knocked me over. So did the pic on the back of the bathroom door.

mexican

People ask if there are any women on the construction crews I’ve worked alongside. No, I say. Why do you think that is? we wonder. They’re just so strong, I say, It would be a very unusual woman who could do that kind of heavy labor.

There are dozens, hundreds of women macha enough to work construction. But that’s not the real reason, of course. It’s that a woman couldn’t hold it in.

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Tree Pose

I keep thinking about Tree Pose, one of my favorite things in yoga. Vriksasana in the Sanskrit. Here is how it goes. Standing in Tadasana, Mountain Pose, plant the foot of one leg on the ground, your weight evenly distributed between big and small toes, the arch of your foot held strong. If it is available to you, as my yoga instructor likes to say, cock your other leg so the knee is akimbo and the foot is placed somewhere between the thigh and heel of the grounded leg, hips open. Then raise your hands, either in namaste, clasped in front of your chest, or what I like – hold them high above your head.

tree-poseWhat I also like: in my large class everyone holds the boughs of their tree exactly the way they want, so the mirror shows a forest, all straight trunks and long arms with fingers spread as people wish at that moment, pure individual preference.

I wanted to know more about how Tree Pose originated. Turns out that in the mythology behind the pose, a queen named Sita was abducted by a handsome devil of a king, Ravana (he happened to have 100 faces) and was forced to live in his compound, where she would enjoy all the luxuries of life.

Ravana

Not only did she refuse to marry him, she refused to spend a single night in his palace. After all, she was already married to her dashing love Rama. Ravana vowed that if she did not accept him after one year he would cook and eat her. So Sita moved outside and lived among the ashoka trees (ashoka means “without sorrow”), trees known to be healers. Her attendents, Ravana’s minions, were women with terrifying faces of dogs, goats and fish, and they tried to get her to submit to the king. But Sita sat with her back against an ashoka tree and knew she would survive this. She focused on her love for Rama. Her desire climbed the branches and flew out into the world. The trees spoke to Sita, telling her to stay focused, be steady as a tree. When
Rama’s monkey came to spring her from her subjugation, she was ready.

1151RamaSitaSurya

My Downward Dog tends to collapse, my Warrior 2 is arthritic. I’ve never seen the point of Pigeon. But this yoga position and the story behind it I get. Hold yourself together, stay calm, and you will get through the worst of things. Even little trees can stand tall, like this Callery Pear in Ozone Park, Queens, just around the corner from the casino.

calllery pear

When was the last time you leaned your back against a tree and derived its strength? When was the last time you laid your hands on a tree trunk, on living bark? I don’t want to be ridiculous, but you can feel the thing breathe. Years ago we visited Black Hills National Forest outside Custer, South Dakota, where we were surrounded by Ponderosa and Jeffrey Pines. We pushed our noses up against the bark; warmed by the sun, it smells like butterscotch.

I like to think that when I assume Tree Pose, I may have butterscotch running through my veins. If it is available to me.

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Found Wanting

Here is what I don’t miss about living the life of a writer, the life I lived for 25 years of adulthood. I realized recently that even when I was happy and fulfilled, publishing my work, novels and nonfiction, I was continually in a state of wanting.

I wanted to write a good sentence.

… wanted to write a good paragraph.

…wanted … a page, a chapter, a book.

I wanted a jackpot, to win the lottery of book advances, to have publishers wrangle over my work.

I wanted my editor to pay attention to me .

… wanted him to love my book.

… wanted my publishing company to go all in on it, devote thought and resources to promoting it. I wanted to punish them when they didn’t: want, want, want.

Oh, you’re a writer, people always said. And it was fantastic to be that creature, a writer. Except when it wasn’t.

I wanted to see my book in the world.

I wanted to see the cover in a bookstore window.

I wanted readers.

… wanted readers to love my book.

… wanted readers to talk about my book, to talk to me about my book.

I wanted to talk about my book.

… wanted to talk to readers about me.

… wanted to talk in front of audiences.

… wanted to hear applause.

I wanted my book to be reviewed.

… reviewed in The New York Times.

…(USA Today would be okay.)

…I wanted notices in Publishers Weekly and Library Journal.

…I wanted those reviews to be starred.

…I wanted people to read the reviews and buy my book.

I wanted my peers to read my book.

I wanted people to see me in my book.

Oddly enough, I got all these things, just not enough. Could it ever be enough?

When I decided to take a hiatus from publishing I freed myself from all the wants. I didn’t know it would happen, that I would become an arborist, just that I needed a job and loved the idea of saving trees.

fall leaves

Wants are painful, even if you get what you want some of the time. You know the jewel-toned leaves on the forest floor, dreams right in front of you? You can touch them, but you can’t possibly collect them all. I was always caught up in the desire, and the reality invariably fell short. Gautama Buddha: Desire is the cause of all evil.

What do I want now that my work is so different? I want to be wantless. What’s right in front of me every day: a strong cup of coffee. A restroom near the site. Clear weather. Protecting a root. Seven hours of sleep. The foreman smiling at me, chewing his cigar. (He doesn’t know I’m a writer, and couldn’t care.) Not having to endure too much of a logjam on the drive back home. And again, saving a root. Simple.

Saving a root, I am saving myself.

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Mrs. Chekhov

I came around the corner to Dahill Street in Brooklyn on a Tuesday morning, wearing my orange safety vest, and there stood a little old lady with a neat blue dress and the white helmet coif that showed she spent time once a week at the beauty salon. Just standing there at the gate of her Brooklyn-red-brick house. Waiting for something.

Out of nowhere, she pulled me aside. Sometimes the vest serves as an invitation. “There’s a very good Italian place down the block,” she said. “Oh, he makes very good sandwiches.”

Not too many Italian delis around here these days, I thought, it’s mainly kosher now. Plus the streets here are semi industrial. But workers need sandwiches, so the sole remaining shop survived.

In front of the woman’s house stood a husky old oak, its bark tough and crusty, its heavy branches spreading high up over the sidewalk. A few blemishes, insect holes like eyes, but they only made it more beautiful.

oak w eyes

“Listen,” she said, “Do you think the city would come cut my tree?”

I asked what the problem was.

“The squirrels are dropping those — what are they called?”

“Acorns,” I said. She was not young, this woman.

“Yes, acorns, and they’re dropping them on the roof of the house and making a terrible racket.”

“You want to cut the tree?” I said. “It’s a nice tree.”

“No! Just if they would come trim the branches,” she said. “I would never want them to cut the tree down. It’s 63 years old, I remember because it was planted the year after my son was born.”

“It’s beautiful,” I said.

“You know,” she said, “in the summertime, everyone comes over and we sit under the tree. It’s so nice and cool in the shade.”

We stood on the stained streets of this shabby neighborhood, clogged with trucks,  noisy, so changed from when she had her young son 63 years ago. And I thought of Chekhov, and the summer retreats of that time, and the racket of the acorns hitting the roof like the steady chopping sound of cherry trees in the background, off stage where you can’t see them.

 

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Ms. Wiggy

I saw some striking wigs today. Gleaming, glinting, brunette, raven black, strawberry blonde. They don’t resemble real hair, and maybe that’s the point.

kosher wig

My job site was on the corner of Dayhill Road and 53rd Street, in the Borough Park neighborhood of Brooklyn. The two Zelkova trees I was there to watch over had gnarled roots pushing up the sidewalk, important issues to attend to, but it wasn’t yet time to attend to them. So I spent the early  morning watching the parade of moms dropping off their kids at the 3-in-1 school on the corner. The Al and Sonny Gindi Barkal Yeshiva, Tomer Deborah Girls School, and the Jack and Grace Cayre Elementary School.

Being Orthodox, the women all came out in the morning in their wigs. I have often wondered why, if the point of hiding one’s hair from the world is to be modest, to reserve its beauty for one’s husband only, why do these women wear kosher locks that are so flashy, which would seem only to call more attention from men outside the marriage bed. (Some Hasidic women actually shave their heads.) One of the mysteries, and just thinking about it shows my insensitivity, I’m sure.

A great wig is a rare find. I remember accompanying my friend Deb after her chemotherapy to one of the best wigmakers in Manhattan, near Columbus Circle. It was a glamorous place (they did a lot of show biz extensions) and she was treated like a queen as she had two wigs fitted, one her “good” wig and one her “bad” wig. In either one she looked as good as she ever had — beautiful — but there was still a slight brassiness to the hair’s texture.

wigs

I sat behind a man wearing a rug recently in a theater and the gloss of his hair nearly blinded me. His was plain. When periwigs were mainstays for men, in the eighteenth century, you could choose from dozens of imaginatively named styles, from the Adonis to the Cauliflower to the Ramilies, a romantic number that sported a black silk bow on its ponytail. If human hair was unavailable, the peruke maker would substitute materials from horse hair to fine metal wire.

ramalies

It’s almost impossible to get a wig right.

Here come the moms, at school dismissal, and here comes their hair. So sleek and straight. Maybe the smoothness is what makes it look so artificial. I would bet that a hefty percentage of their wearers have soft, luscious waves framing their faces when the wigs come off, like Deb had before her chemo. But we’ll never know, will we?

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LinkedIn and Out

Once upon a time I had a job. It was actually a sequence of jobs – as a women’s magazine editorial assistant, then as a writer/researcher for an arts impresario, then an editorial director for a not-for-profit that advanced women’s careers. I was in my 20s. Working as the assistant to the health and horoscopes editor at Family Circle was pretty entertaining.

When I left the editorial life to become an author, though, I felt elated.

Years later, when I decided to take a hiatus from writing books, I hooked up with a career coach at my alma mater. What can I do? I asked her. I needed to work. I used to go into Manhattan once in a while to meet with her, and she would tell me that I hadn’t failed at  my chosen metier, that I simply had to switch from one field to a related one using my fine-turned authorial skills. When she said switch, she would hold her hands in front of her and raise and move them to the side as though she were lifting something light to a place it better belonged .

 

better hands

How does someone who has written books for 25 years switch from one field to a related one? Reenter a work force where everyone is a teenager and has the computer skills of a genie and the moxie of a shark? I subscribed to adverts on Indeed.com. I sleuthed around cultural nonprofits to find a fit. Try and try, I couldn’t shake the fact that I was essentially a book author. I had speaking skills though, and I liked being outdoors, so I applied to work the sea lion exhibit at the Central Park Zoo. No deal.

The thing my career coach advocated most vehemently was that I get involved with LinkedIn, a site that I’d always regarded with bafflement. What was it for, anyway? Why did everyone want to connect with me all the time? Now I prettied up a resume to sound cheerful and proficient and started cold calling LinkedIn contacts. I felt like I was plastered with one of those dorky tags people wear at conventions.

 

hello my name isI got some interviews. During one, after swallowing a cold pill, I got such bad cotton mouth that I had to excuse myself to go find a water fountain. Didn’t get the job. I didn’t get the job as writing center director, writing teacher, social media content writer. Everyone knows that sending c.v.’s is not how you get a job. So I returned again to LinkedIn. Would the director of the Intrepid Museum, the contact of a contact, have any ideas about how I could find work? No? So sorry.

Then it dawned on me. I didn’t want a deskbound, social media-obsessed editorial 9-5 any more than companies wanted a silver-haired overqualified author who spent a lot of time inside her head. I contacted the owner of a small company that had something to do with trees.

 

tree cross section

Trees. That was novel. Those leafy giants that swayed along the highway? When I was a kid, I remembered, I used to build houses out of acorn tops and pebbles in the hollow of a tree in my yard. Trees, it occurred to me, were magic. I would move from one end of the supply chain to another, from bound paper books, which ate up trees, to the living air-cleansing shade-providing originators themselves. The raw material of all literature. All I had to do was take a test, and then I would be sprung from my writing coop, out in the air, in Brooklyn, saving trees and watching the trucks go by.

Elated.

truck

 

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Out on My Fanny

Terrific reviews but no sales. Astounding rejection notices. What could be crueler for a writer?

Sadly and swiftly we fell to earth, Fanny and me. I was ready to vault into the next chapter of my life. I was enchanted by my subject and believed that everyone else would be equally enchanted.

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But publishing is a peculiar institution, particularly these days. Two dozen editors looked at the proposal for A Dangerous Subject, the book that would take readers on a romp through Jacksonian America and the weirdness of the present day United States as well. (Note I don’t use the word read here, only looked at. How many editors have the time to read everything, actually? It’s a lost art.)

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Some of them disliked the subject (“too small”). Many loved it. I remember my agent sharing with me one editor’s response: “omigod!” she wrote, and went on to say she’d had five proposals on her reading stack that night and had thrown them all aside to read about Fanny.

But like I said, publishing is peculiar. At the end of the day, lots of editors relished Fanny but they just couldn’t figure out “a way to publish the book.” In other words, to sell the hell out of it. Me and Fanny were too small to get our chance. And so we fell, like Alice down the rabbit hole, grasping at straws we passed along the way. Mawkish, but still.

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And having nursed a novel and a nonfiction idea when neither would end up reaching any readers, after a quarter century in the business of book writing, I had to ask myself: Is that all there is?

 

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The Exquisite Realism of Pleats

Hiatus. Mine was a long one, at least in the terms of this daily blog. I took off in the spring to research my new novel, then to write the novel, then to take a break after writing the novel, then putting the novel on the market. Now, with my foot up after a third time under the knife (yes, I have three feet), I’m back.

The daffodils came and went, the waves crashed at the beach, but I feel I’ve been inside these months much more than outside. Inside my cranium. The seasons have changed largely without me, and now along comes Fall.

I don’t work at night. The Cabin resides in a quiet, still, isolated pocket of land at the edge of an insect-buzzing marsh. We’re cloistered in the middle of nowhere. Or at least it feels like that, which is remarkable since we’re less than an hour from the lights of New York City. My point is, there’s not a lot of hubbub around, not a lot of human distractions. So after dinner, with Oliver keeping a lookout out at our feet, we either read or consume a fair dose of high-concept binge fare.

O beseeching

We visit different worlds.

It’s hard to get history right on tv. Often it’s too cheesy to watch, whether because of the dialogue, scenery, fashions or some combination that makes you say, I know it wasn’t like that. And turn it off. Go read some good historical fiction instead!

But I’ve been watching a show that manages to have a little cheese and a fair amount of heart at the same time, along with exquisite attention to detail. The premise is time travel, my favorite subject.The Outlander series takes a young English woman just after World War One (she’s a battlefield nurse) and sends her through a witchy wormhole (actually a Stonehenge-like circle of obelisks) back to 1740s Scotland. Adventures and romance ensue. What interests me is the devotion to detail on the part of the producers, down to the beautiful and so carefully sewn pleats in the wedding gown of the protagonist, Claire. Apparantly they are entirely consistent with the real McCoy. There are plenty of people out there waiting to pounce on you if you don’t do it right, but so far a war hasn’t broken out between the pleats and the pin tucks, so we’re okay.


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As a writer of historical fiction, I know that you must constantly make choices about where to nail the absolute fact and when you can fudge. In fact, sometimes you must fudge, because the absolute fact would be unpalatable for contemporary readers. It fascinates me to hear about the choices made by the costume designer for Outlander, Terry Dresbach. (How’s that for a fitting name?)

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Slowdown Saturday

A knuckle-sized frog hopped straight by the woodpile.

A butterfly lit on a thistle.

Chickadees flocked around the bird feeder, making off with safflower seeds.

A long day, reading a long novel.

Excitement: Oliver thundering from the porch toward the rabbit he’ll never catch.

It grew cool, deep shadows stretched across the grass.

Then there were dinner pancakes, made with fresh-laid eggs from the good neighbor’s coop and local blueberries, soaked in a friend’s home-tapped maple syrup.

blues

“Summer afternoon, summer afternoon,” said Henry James. “To me those have always been the two most beautiful words in the English language.”

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