Category Archives: Writing

Good Link

Coupla nice items from the blogosphere:

BookTrib: The All-You-Can-Eat Literary Buffet

and

The Goode Word

It feels ridiculously good when a reviewer understands what The Orphanmaster is all about.

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Poisoned Pen Interview

Here is a link to a webcast of my interview at the Poisoned Pen Bookstore in Scottsdale, AZ.

We may look cool, but outside it was 112 degrees in the dark!

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Hot Sage

So I took a break. I’ve been blasted by the 105-degree Arizona heat (go out quick, feel the fire, duck back in), and have enjoyed the delicious sage aroma in the air and the sight of baby jackrabbits drinking moisture from the putting green turf. I’ve found that sushi tastes great in the middle of the desert. Oh, and I’ve enjoyed talking about The Orphanmaster with 75 gracious seniors at a place called Silverstone, in Scottsdale, home to mom and dad.

It’s always interesting to share pictures related to 1660s Manhattan when you are in 2012 and across the country from Manhattan. You can show the intricate, drawn-to-scale street plan of New Amsterdam dating from 1660, and it looks not so much like historic fact as it does magic, a fantasy of a place invented, a tale out of a story book, not possibly real. And yet it all was. The sights and sounds of that Manhattan could be experienced as vividly as the hot gale off the desert here today, or the sumptuous sage, or the nibbling bunnies on their sea of acid green.

In 1660s Manhattan, sea lions sunned themselves on rocks in the surf at the base of the island, where Battery Park is today.  You could look up in the sky at noon and witness pigeons wheeling in clouds so dense they blotted out the sun. Ox carts clogged Broadway. Bears climbed in the orchard trees. Noise. Scent. Knockaround drunks. Dazzling meadows of wildflowers.

What I wouldn’t give to set foot there, step into that 1660 map for just a split second.

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Aromas Now and Then

The air of the city smelled like hot dogs yesterday as I made my way to Bryant Park in a spattering rain.

Luckily there was a tent set up for the Reading Room, an area of the park along 42nd Street where I took part in a panel with three other debut novelists: Cristina Alger, Karl Taro Greenfeld and Karen Walker Thompson. They were each of them charming and thoughtful, so I tried to live up to their example, and the event went well.

I wonder what the air of New York smelled like in August 1664? Waffles? Manure? Clover?

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Reading Room/Word for Word Event

Please join me and some other great new fiction writers at the

 Bryant Park Reading Room

Word for Word Author Event

Debut Novelists Panel:

Cristina Alger, Karl Taro Greenfeld, Karen Walker Thompson & Jean Zimmerman

Hosted by Catherine Chung

Wednesday, August 1, 2012

12:30pm – 1:45pm

Bryant Park Reading Room (behind the New York Public Library on 42nd Street)

The Darlings Cristina AlgerTriburbia: A Novel author Karl Taro GreenfeldThe Age of Miracles Karen Walker Thompson, and The Orphanmaster Jean Zimmerman tell all on what it’s like to be new writers on the author’s block. Hosted by Catherine ChungForgotten Country.

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Iconography/Orphanmaster

Watchung Booksellers in Montclair last night was cool, with a crack of thunder and streaks of lightning out the window just as I was reading a scary passage from the book.

A lot of people wanted to know where I did the research for The Orphanmaster. The easy answer is: The Iconography of Manhattan Island, the brilliant compendium of all maps, views and information about New York from long before it was called New York. Published in 1926 and still available in research libraries (and my home library, I’m happy to say), it is a Manhattan history lover’s dream. And did I mention that the huge tome’s creator was I.N. Phelps Stokes, subject along with his beautiful wife Edith Minturn of my recent book Love, Fiercely: A Gilded Age Romance. Theirs was a charmed, fabulously wealthy life that had impossible highs and ultimately spiraled down into difficulty and poverty, largely because of Stokes’ obsessive love affair with The Iconography. The fact remains that without The Iconography there would be no Orphanmaster. I obtained so much period detail from this masterful, 30-pound set of volumes.

An Original Set, circa 1926

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The Orphanmaster in New Jersey

New Jerseyites! Tomorrow at 7:00 pm I will be visiting Watchung Booksellers in Montclair for a talk and signing. Please join us, it’s an excellent bookstore, a nice place to visit on a summer evening to browse for those books you didn’t know you needed. And it’ll be fun to converse with you about The Orphanmaster, how I came to write a novel, how I do my research, how I get going in the morning and stuff like that.

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The Orphanmaster Origins

A little bit about how The Orphanmaster came to be: For years I have written nonfiction. Never a novel. If I ever thought about writing fiction, I pushed it out of my head, saying, That’s not me, that’s not something I could ever do.

I began to think of myself as a writer when I was small, and experimented with different forms, getting a Masters of Fine Arts in Poetry before turning to the world of facts, of reality, of history and biography, of nonfiction. Which I love.

A few years ago I wrote a book like that, a work of colonial history that featured a strong, determined woman in 1660s New Amsterdam. Margaret Hardenbroeck worked brilliantly in the fur trade, She was so driven that by the time she died she was the richest woman in New York.

I enjoyed writing about that era, when fur was king, and when Manhattan featured a fluid, uneasy mix of peoples—eighteen languages spoken on the street! A threshold time, just before the British invasion, brutal and exciting at once. But I was frustrated by the paltry amount of personal information I could get about Margaret. I wanted to go deeper.

The Orphanmaster’s central character, Blandine van Couvering, came out of that desire. Creating the fictional persona of Blandine, I could write around the gaps of history, fill in the psychological spaces of my character. I could deepen and enlarge upon the strength and intelligence of this real woman, plumb her soul, discover her sense of humor. And give her the wardrobe she deserved.

At the same time, something else about the period haunted me—the idea of the orphanmaster, which I’d come across in writing about New Amsterdam, a real government post that to me sounded spooky and vaguely nefarious. An orphanmaster is actually someone charged with protecting the many children on Manhattan who have lost their parents. But I always felt there was a mystery here, a story that was not all sweetness and light.

Still I hesitated. I was sitting on all my notebooks filled with rich details about New York before it was called New York, I had a heroine, a theme, even the beginnings of a plot. Why don’t you use all that stuff? my encouraging husband kept asking. Could I possibly write fiction? Just write me a murder, he said.

That was the beginning. Many chapters and plot twists later, I am here to tell you that writing The Orphanmaster was as challenging as I’d imagined it would be, but far more rewarding. There is nothing like seeing your characters spring up out of the ground as you go along, to feel every morning as you sit down at your computer that, Today, anything can happen!

October 8, 1663, the island of Manhattan. An early blizzard….

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A Home an Aesthete Would Love

The bullfrogs are raging and I can’t sleep. Instead I wander through the intricate rooms of the house The New York Times asked me to profile, with its endless range of color and pattern, its glowing woodwork and sturdy china. An 1880s home on 72nd Street totally refurbished according to the principles of the Aesthetic Movement. Complete with twin gaslights outside. Oscar Wilde would be crowing.

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USA Today Visits Cabin World

USA Today goes to press today (online edition) with what I think is a pretty sharp profile of me as well as a portrait of Cabin World!

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Hello, Savage Girl

After a string of many unbirthdays I am finally having my birthday, a double-digit extravaganza which I am so far marking with house cleaning, phone interviews and pancakes at a local diner with Maud.

Really, the finest present I have received so far is yesterday’s news that Savage Girl has been accepted for publication by Viking.

Savage Girl begins in 1875 in Virginia City, Nevada, at the height of the silver boom. A teenaged girl is being exhibited as a sideshow attraction — promoters advertise her as a wild child raised by wolves. An extremely wealthy couple comes from New York City to inspect their mines; they adopt the girl and bring her back to Manhattan with the idea of raising her up as a debutante. Murder and mayhem follow.

The novel is narrated by Hugo Delegate,  a sensitive, brooding 22-year-old anatomy student and son of the wealthy mine owners, who  gets drawn into the hectic events surrounding the savage girl’s immersion in New York’s Gilded Age.

Everyone involved is so excited to see the public birth of Hugo and Savage Girls’ story.

Happy birthday.

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Journal News profile

I meant to post this profile from The Journal News but got swept away  by other things. I like the reporter’s emphasis on bullfrogs. In general, I thought she was pretty sharp. Thanks!

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Chappaqua Talk

I’ll be giving a talk with slides about The Orphanmaster at the Chappaqua Library tonight at 7:30. Hillary and Bill are welcome!

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A Personal Creation Myth

Aspiring historical fiction writers assembled at the Merritt Bookstore in Millbrook, NY today and I was flattered to be included as their guest. Their questions really ran the gamut, but the gracious people there seemed most interested in the why’s and how’s of getting started on a novel that is based in historic fact. I always say that I was spurred on my way by working up the portrait of Margaret Hardenbroeck, the real-life fur trader in my book The Women of the House, and wanting to further develop that character. To invent, where I only had the bare facts to begin with. She became Blandine. Then, I was attracted to the spookiness of the term “orphanmaster” itself, and thought it would be a terrifying concept to build a mystery around. Finally, Gil gave me a push, when he saw how much material I had left over in my notebooks and computer files after learning so much about 1660s New Amsterdam for The Women of the House. Why don’t you use some of that stuff in a novel, he said. And when I protested that I never had written a novel and couldn’t write a novel, he said, Well, write me a murder. And that I found I could do — the result was the unfortunate demise of Piddy Gullee in The Orphanmaster‘s prologue. Everyone has their own creation myth and that’s mine, but it of course was just the pinch that got me moving.

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Connecticut Book Night

Fine breezy evening in Madison, Connecticut. Ions off the Long Island Sound buffering my face in the oh-so-genteel seaside bar.

Then a packed house at RJ Julia, one of the finest independent bookstores in the land. I received a lovely introduction by Roxanne, the shop’s owner, and the choice of any book in the store to take home as a gift. Perspicacious questions from the audience. A sore hand from signing, always a good thing.

Earlier in the day I found out I will be doing a show with Free American Radio, which goes out to 25 stations nationwide.

After my talk a bunch of us, including some of my bestest friends, went out to a completely classic clam shack and had fire-roasted clams and lobsters, maybe the tastiest shellfish I’ve ever consumed, as the sun went down and the night turned blue. The lobster came freely out of its shell as though it intended to be eaten.

When I got home I listened to a cd sent to me by a  lively dj in Boston, an interview we’d done recently, that was a gas to hear even if I did sound foolish more than once.

Oh yeah, and I got an offer on my beloved Savage Girl.

More on that subject later.

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