Category Archives: History

Mr. Darcy Cooks

Mr. Darcy's

And I wondered what happened to Darcy after he was run off of Pemberley for feather spanking that chambermaid. He’s peeling potatoes in the shadow of Mount Okemo in Ludlow, Vermont.

Today we found a place that served not only crispy french fried potatoes and sweet belly clams but was a haven of sorts for writers.

Wall

It’s an anthology based in South Deerfield, Mass., and we’re now a part of it.

Jean:Gil

If you’re going to leave your name behind, it’s probably better for longevity’s sake to put it down in stone rather than wood. I remember the escarpment high above the Hudson River at North-South Lake, the site of the venerable long-gone Catskill Mountain House, which a hotelier built there to take advantage of the views up and down the river. That was in 1823.

Catskill Mountain House

One Victorian guest observed, on reaching “the broad tabular rock upon which the House is set”:

“We could hardly realize it. After threading in the dark for two or three hours in a perfect wilderness, without a trace save our narrow road, to burst thus suddenly upon a splendid hotel and, glittering with lights, and noisy with the sound of the piano and the hum of gaiety – it was like enchantment.”

Long after the hotel was razed, in 1963, we spent a July 4 on those flat rocks, watching the bursts of firework displays in the little communities north and south along the river. The pyrotechnics looked like tiny faraway flowers blossoming briefly in the darkness.

Carved in the stone beneath our feet, the names of  visitors, a guest book that reaches back to the beginning of the nineteenth century.

Catskill Mountain House graffiti

Another rock pic

The older the calligraphy, the more likely the letters are to be engraved in a serif font. I’ve always thought that in the quiet that surrounds this spectacular vista you can hear the voices of the people who etched their names above it all.

I can even see Fitzwilliam Darcy here, in a frock coat, politely tapping his chisel into the stone.

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I Heart Hearts

A Swedish massage by a masseuse with head-to-toe tattoos. A restaurant in a castle, a 1905 grey gneiss mansion, the first home in Vermont wired for electricity. A gas-jet fire in the hearth. Rare lambchops. Chocolate mousse. Cherry hearts.

candy hearts

A hammy piano player in the dining room. Romance, ro-schmaltz, circa 2013, with my husband, who made the day a surprise. It was the bomb.

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Evesdropping

Valentine’s eve. All the last-minuters are ordering roses, and the line in the chocolate shop was out the door. I know something nice will happen tomorrow, but I think I like the anticipation better than the day itself, the taste of candy before it’s in my mouth.

kiss

I have always liked holiday eves. Usually more than the day that follows.

Christmas eve. Stockings up. Easter eve. Baskets open.

Most of the food prepared and plenty of butter in the fridge.

A quiet house, a quiet trail to hike the day before the holiday hits.

New Year’s Eve. Now that’s a different story. I really like New Year’s Eve eve, with the champagne as yet uncracked.

Evening, too, surpasses both night and day in my estimation. Not a dusk goes by that my daughter Maud doesn’t say, that’s my favorite time of day. We agree. The gloaming. The rind of the day. Blue shadows and, at our house in spring, flitting redwings. I’m already waiting for spring. Today, this month, this season is the eve of spring. Red tulips in a vase against white snow, a valentine to spring. Or red firecracker jackets in the snow, Chinese New Year. The eve of the year of the snake.

year-of-the-snake-2013-chinese-happy-new-year-vector-1075480

Speaking of serpents, Adam gave Eve her name (Heb. hawwah) “because she was the mother of all living.” The name may go back as far as the Hurrian goddess Kheba, who was worshippped in Jeruselem during the Bronze Age, and before that to a woman named Kubau who reigned during the Third Dynast of Kish. Variations abound, including the Gaelic Aoife, which means “radiant, beautiful” in Scotland and Ireland.

Eve by Hans Baldung Grien

In spring, snakes will return to the Cabin, entwining themselves under the hose spigot, black and shy. Of an evening, we’ll watch going barefoot, even while breathing in that radiant sky. Every day is the eve of the next day, and that day’s the eve of the next.

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The Proper Get-Up to Meet Your God

I was irritated by the story in today’s Times about the 10 women carted away from the Wailing Wall because they were wearing “men’s” ritual duds, prayer shawls. It’s not the first time this has happened. Then I turned the page and came upon the Pope in long white gown and a red velvet stole trimmed with gold. I believe that anybody should be able to wear anything they want to worship, be it a prayer shawl, a gown, six-inch mules or a shower curtain.

12pope_1-popup

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The Chicken and the Whale

If I had the wherewithal to collect anything seriously, it would be scrimshaw. Not just any scrimshaw, but scrimshaw pie crimpers.

scrim 1

Sailors on whaling ships in the 19th century crafted crimpers by the thousand as presents for the wives, mothers, aunts, sisters-in-law they missed while at sea. Museum conservators who inherit these artifacts report flour residue clinging to the delicate yet utilitarian objects, evidence that they made a most practical kind of souvenir.

My favorite presents are they kind you wind up using every day. Humble beauty is the finest.

scrim 1 1

Crimpers could be made from whale teeth, walrus ivory, whalebone or wood. We don’t know who fabricated most of the ones that have been salvaged and catalogued, but we can imagine the artists liked their pie. If you go to Ingenious Contrivances, Curiously Carved:  Scrimshaw in the New Bedford Whaling Museum, a book recently out that inspires with its photographs of beautiful, one-of-a-kind artifacts, you will find a startling number of these mellowed-by-time curiosities.

Pie. Inspired by pie. These guys, out at sea for weeks or months at a time, eating insect-drilled hardtack, were driven by visions of the pie at home to make their superlative crimpers. Pie can do that to people.

flaky pie crust

Any ingredient can be folded into a savory pie– steak or lobster, kidneys, parsnip and oysters. Whatever good stuff you have on hand. The Williamsburg Art of Cookery, or Accomplish’d Gentlewoman’s Companion was first printed in the year 1742. The author, William Parks, gives us a squab or robin pie, advocating braising the birds first, putting in the cavity of each a hard-boiled egg (chopped in the case of the tiny robin) adding butter, cream and bread crumbs and covering with a “rich Crust” before baking.

People of the Middle Ages loved their poultry pie, then called a coffin, and sometimes actually filled with the 4 and 20 birds of nursery rhyme fame. You’d bake the pie first, insert the birds, cut open the top in company and let them fly out to everyone’s awe. But so you wouldn’t be “altogether mocked,” according to a cookbook of the time, you’d best quick get out and serve an actual pie as well.

songofsixpenc

That pies in America were long stored in chests called “safes” attests to their near-mystical importance to our cuisine. As the country grew, a slice nearly always made itself available for a quick snack, eaten just as avidly for breakfast as dessert and often consumed at every meal.

But baking a pie intimidates home cooks today, hence the tasteless premade shells in supermarket dairy cases. “Be Swift and Deft” in handling pie dough, advised The American Woman’s Cookbook of 1945, and slash your top crust well. These are skills many of us lack, despite all the baking competitions on TV.

digestible pie crust

For those new to this blog, it’s unlikely you‘ll find me writing about climbing Kilimanjaro here; I don’t have the equipment or expertise. I can, however, scale a pie, in the privacy of my kitchen. Or your kitchen, for that matter, but I’d like to bring my hand-turned rolling pin with me, the finest in the land. (Also this basic aluminum pan, courtesy of Norske Nook in Osseo, Wisconsin, where they offer two dozen pies daily to stay or to go.)

pie pan

A hint: leaf lard is the name for the fat taken from around the pigs kidneys and while it’s not a necessary ingredient in pie crust, using a bit gives the finished pastry a succulent snap. You won’t find leaf lard in the local Stop and Shop, only on the web or, if you’re as lucky as me, a local farmer’s market. Otherwise Crisco will have to do.

Simple Chicken Pot Pie

My family is pretty happy when this aroma wafts through the house.

For the crust, cut one stick sweet butter and a third cup leaf lard or shortening into three cups King Arthur flour and a couple pinches salt with a pastry cutter until it has the texture of coarse cornmeal. Add one cup (more or less) cold water (you can cool it with an ice cube) mixing with a fork until it the dough comes together. Form a ball and chill while you make the filling.

In a big skillet, saute two medium onions, chopped coarsely, in 2 T butter and 2 T oil. When the onions are lightly brown stir in a scant handful flour. Gradually add 3 to 4 cups broth (homemade if you have it, Swanson’s if not). Cook down until creamy. Season with generous salt and pepper.

Chop a couple of carrots and a couple of sticks of celery to taste, and about two cups of potatoes. Blanch them til barely tender, just a few minutes, in salted water. Drain.

Cut up about three cups of cooked chicken. You can now combine chicken and vegetables in the gravy. Throw in some frozen peas to taste.

Roll out the dough for the bottom crust and, picking it up on the edge of your rolling pin, fit it in the pie pan. Lay in the filling. Top it off with the second crust. Crimp the edges and poke some decorative holes in the top so the steam can escape.

Bake at 375 for an hour or until brown.

Tuck into a slice heartily, as if you’re a Nantucket sailor who just earned his sweetheart’s love with a whale tooth pie crimping wheel.

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Call Me Axamit

I visited a clothing shop today that was holding a sale on velvet. Long, flowy dresses with a thick wine nap, inky, blousy trousers, tunics in burnt umber that made your neck feel cossetted. Velvet draws me. I have a long, coat-like jacket in royal blue with garniture around the wrists and covered velvet buttons – I rarely wear it but I would never bid it goodbye. You don’t part with velvet, you prize it.

My New York grandmother was a Levy, one of the commonest names I could imagine. Her parents, I always thought, had brought the name with them from Poland when they arrived in this country at the turn of the 20th century.

Or not.

I discovered through my brother’s sleuthing a few years ago that the family name, the name that came over the sea from the shtetls of Europe, was actually Axamit. The word means velvet.

VelvetMainBottoms600x375

Somewhere along the line my family were textile workers, velvet makers, perhaps somewhere around Lodz, where the family hailed from.

I love to think about the velvet in my background. The fabric has a long tenure – it’s been manufactured for almost 4,000 years in one form or another. It  requires more thread to manufacture than other fabrics, as well as multiple steps. And it’s traditionally made with silk thread. So it’s always been a luxury material, from the Ottoman Dynasty on. Of course, velvet came about rather late in the game of cloth-making – sewing needles have been discovered dating to 40,000 years ago in France, and fertility figures famously wear girdles of thread.

Ottoman Dynasty gold thread embroidery on velvet

Turkey is thought to be the site of the oldest known woven cloth, just a piece of linen found wrapped around an antler, dating to around 7,000 BC.

But velvet. That’s different. An inventory list from 809 AD, of treasures belonging to one Caliph Haroun al-Rashid in Persia, includes five hundred bolts of velvet.

The ancient Turks learned to produce the fabric on looms that had a raised series of loops. When you cut them, that produced the rich, deep pile that distinguishes the stuff.

Antique Turkish velvet with silver thread ca 1453-1922

The Italians took up the craft during the Rennaisance and all of Europe coveted what they produced. They took their patterns seriously, embellishing with ripe pomegranate fruits, artichokes, or thistle blossoms. It was all done by hand, of the finest silk. Methods were top secret. Affordable only by the very wealthiest noblemen and women.

16th century Italian Velvet

I imagine the men (and women?) of my family bent over their looms, cutting the fibers with razor-sharp shears, experts in their domain.

The Industral Revolution made all that drape and sheen available to mere mortals.

1880 women's red velvet jacket

Did the new era drive my hand-crafting ancestors out of the velvet business? As far as I know they didn’t bring their textile ingenuity to these shores. And they left the name, the velvet signifier, Axamit, behind when they stepped onto Ellis Island.

When I touch the scarf I brought home today, blush-pink and soft as thick rose petals, I connect to the warp and weft of my ancestors.

blush scarf

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All This and Guacamole Too

I attended my first meeting of our neighborhood book club tonight. I have always had a slight hesitation about attending a reading group because I thought I would shoot my mouth off – though politely, of course – and somehow embarrass myself. But recently, having visited with some groups to talk with them about The Orphanmaster, I saw how much fun people were having talking about books, the very thing that I love. In a group. Rather than just Gil and I sitting around talking about books. Which is fun, too. Still.

So I went. The book for this month, as it happens, depicts North Korea in all its repression and suffering, but manages to pull it off as a relative page turner. Nothing to Envy: Ordinary Lives in North Korea had journalist Barbara Demick interviewing scores of North Koreans who had escaped to South Korea in the past 10 years or so. It’s gripping from the first page, when she describes how the country goes black at night; there is literally no electrical grid.

dark north korea

Her ability to capture the perfect detail in describing everything from spare, crumbling apartments to bodies decaying in the street to the typical day’s menu is spectacular. Especially the day’s menu – much of the book is about food, getting it, processing it, starving when it’s not available. The people Demick profiles literally eat grass and tree bark to (just barely) survive. But their spiritual starvation is perhaps more profound, as the state exerts its totalitarian stranglehold on personal liberty.

north-korea-is-best-korea-0b88c

My fellow readers tonight parsed all this carefully, thoughtfully and with a sense of humor – especially when we were temporarily diverted by the subject of Beyonce’s halftime gyrations – and I came away better informed than when I got there. It was a little weird to sit around munching on cashews and guacamole as we talked about scavenging for twigs. Yet I felt a strange sense of wellbeing,  too, that this particular author, Barbara Demick, had cut through whatever concertina-wire of red tape she found in order to document this sordid, complicated chapter of life on our planet and had done it admirably. It didn’t cancel out the deprivations/nuclear threat of North Korea, but the fact that she did it offered a different, counter story, that someone was willing and able to research and create such a book. It is a tribute to the human imagination and the powers of empathy.

Nothing_to_Envy

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The Front Lines

In 1991 I began working on my first book, Tailspin: Women at War in the Wake of Tailhook.

tailspin

I recalled the experience of getting up close to the U.S. Navy (they gave me unprecedented access) when I saw a disturbing film today that treated the epidemic of rape in the U.S. military. The Invisible War profiled a dozen women and a few men of the thousands who have been assaulted by their fellow soldiers and whose cases were then dismissed or left to languish by the powers that be. It showcased the suffering that results when women in the armed services experience this violation at the hands of people they see as their peers and brothers and (often) their commanders, the very people that are supposed to watch out for their interests.

the invisible war

The movie explored antecedents for the current situation, beginning with the Tailhook scandal of 1991. I’m not an expert on military rape but I do know something about that sordid case, having covered it for Tailspin. At an outrageous, hard-partying, booze-fueled convention of naval aviators at a Las Vegas Hilton, women who were officers and jet jocks found themselves groped – too polite a term – by their peers. There was an endless corridor, a line up infamous as The Gauntlet. Afterwards, the victims were scapegoated and ignored when they went to seek redress for their experiences.

Tailhook #2

The story of that night only got grosser as I learned more about it. But one aspect grew more arresting and eventually took over the narrative. That was the issue that has now once again exploded on the front pages, the question of women in combat. In 1992, when I wrote Tailspin, people in the U.S. Navy were puzzling out whether or how more positions in the service should be opened to women on the front lines. It seemed to me that the link between the two subjects was obvious: sexual harrassment, the bane of the Tailhook scandal, would diminish as women were integrated into military roles that would earn them increased respect from men, roles at the heart of the warfighting business.

In the post-Tailhook era, the Navy changed its policies on recruitment, retention, training and selection of occupational fields to be “gender neutral to the maximum extent possible.” Women could now serve in all combat positions except SEAL commando units and submarines, and the top brass was putting them on aircraft carriers methodically, albeit slowly. Of course, women had long served honorably, and they had earned this expanded role.

women-navy

This has been a thorny issue for feminists. As Gloria Steinem was quoted recently in The New York Times, “We kept saying we hope no one will be in combat, but, if they are, women should be there, too.”

One person I profiled in Tailspin still speaks to me – in my thoughts, not in reality, because she died as the book was going to press.

kara close up

Kara Hultgreen trained as an F-14 Tomcat pilot alongside men when she didn’t know if she would ever get to serve as anything other than as an instructor. Now that the Navy had changed its rules for women, she would get the chance to go out on real missions. Hultgreen was rangy and brash and smart, like so many of her male counterparts in Navy flying. I had spent hours with her, much because so many people I had interviewed said, Kara, she’s the one you should talk to. She’s the real thing. A real Top Gun. Her handle was The Hulk. Now she had carrier qualified (brought her F-14 to land on the deck of the carrier with its tailhook catching the wire stretched across the deck) and she’d joined the Black Lions of VF-213, who were getting ready to deploy to the Persian Gulf.

I was writing the last few pages of Tailspin, writing about Kara and the future of naval aviation’s women, when I opened the Times on October 26, 1994 to see her picture. During a practice run over the Pacific, as Hultgreen was readying her plane to land, the aircraft suddenly lost altitude, dropping into the sea, and she was not able to eject in time. “She was a smart girl. I know she knew the chances she was taking,” said her grandmother.

Women in today’s military know the chances they are taking. But the 20 percent of female veterans who say they have been sexually assaulted shouldn’t have to take that kind of risk. Symbolism matters. Once equal opportunities for women as warfighters open in all fields, from the Army’s front lines to submarines’ cramped quarters, they’ll get the respect they deserve.

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James and James, Inc.

In the Scarsdale library today while I was browsing in the fiction aisles my glance fell on H. James – as it always seems to, no matter the thousands of authors there. I connected with my favorites, The American, The Europeans, as well as the ones everyone else loves best, The Wings of a Dove, The Golden Bowl, then noticed that nudged up next to the first of Henry’s volumes there on the shelf, Washington Square, stood 50 Shades Darker, by E.L. James. Then a line of 50 Shades volumes. Side by side, the two authors with their two big sellers, on the left a thoroughly contemporary exploration of happily abused womanhood, and then the equally popular vision from 1880 of  a young woman suffering psychological abuse at the hands of her favorite suitor, a bounder. Washington Square, of course, is perennially refreshed as The Heiress, now on Broadway with Jessica Chastain as Catherine Sloper.

Jessica_Chastain

Women are always getting their virtue endangered, and that predicament is always finding its way into literature. Who will save her? The question fascinates us.

Before James and James there were young ladies with better things to do than dally with bad men.

I speak of needlework.

embroidery

Visiting the Winter Antiques Show gave me a new appreciation of the subtleties within the craft, and of just how driven were its practitioners. My photo of a corner of just one piece suggests the three-dimensional artistry that a young girl could bring to her work at the beginning of the nineteenth century. This was the Austen era – when female industry with a needle was almost worshipped.

What I never knew before was how many different types of work there were. At the Show, Stephen and Carol Huber of Old Saybrook, Connecticut displayed a range far beyond your typical cross-stitched sampler, achieved by young students in schools on a linen background. No wonder they bill themselves as “America’s Preeminent Source for Girlhood Embroideries.”

silk embroidered picture

Some pictures display silk or chenille thread on a silk background that was painted with watercolors rather than worked with a needle, and depicted stories out of the bible or mythology. Some were memorials, the ones you see with a tomb or a weeping willow, sad subjects that were the expected mental domain of young cultured girls between 1780 and 1840.

Judd-memorial

Then there were canvaswork pictures. Huge and now highly collectible tableaux, often of hunt scenes but always with a pastoral background.

canvaswork

Even stumpwork: if you didn’t know, that means  a type of needlework from the mid seventeenth century. Some pieces have lasted and lasted as if it wrought in metal. They were made with heart.

stumpwork

When girls, young ladies, saved their own selves by the work of their hands, long before James and James.

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A Walking Antique

There was scrimshaw, of course. In all its various guises, carved on the plank-like jaw of a whale or sculpted into curio-style walking stick tops.

scrimshaw

The 59th Annual Winter Antiques show had art from around the world and of every vintage, from the ancients to the ‘60s.  My friend Suzanne and I inspected miniature portraits, some with locks of hair tucked into secret locket pockets.

miniature girl

It was the story that drew us again and again, not the craft of the piece, which could be exquisite but nonetheless leave you unmoved. I loved the moth bitten tale about the grizzly bear of carved wood that once graced the top of a doorway in northern California, the entry to a masonic lodge. Made in the mid-1800s, it was a highly unusual find (and was looking for a highly unusual collector to take it home).

wood bear

Serious shoppers in spectacles and tweed prowled the Armory building on Manhattan’s upper east side, peering at objets. Discreetly tucked to one side, a café where you could get strong coffee, fresh grapefruit juice or the perfect crème brulee. “She’s a hypnotist collector,” sings Dylan, “You are a walking antique.”

We came upon a colonial-era painting that showed two ladies seemingly snuggling – “The Lovers.” was written in script across the bottom. A similar trope was visible in a tiny twin cameo on a gold ring, with the two female faces etched in milky glass. It dated from Rome in the time of the Caesars. Who were the women, mother and sister? Two darling daughters? “The Lovers”? You write the story.

true love

A tall, plain clock made in a family woodworking shop in East Hampton, practically unvarnished, admonishing admirers with its stern legend, was displayed in a stall run by a family business called Delaney Antique Clocks. Two centuries ago the clock was created for by a sea captain who had lost five children under the age of five. Hark, What’s the Cry: Prepare to Meet They God, Today.

clock

Then there was the cat-head doll. We used to tell terrifying stories about such creatures when I was a child. Was this a voodoo doll of sorts?

cat doll

Also a bit fierce, a set of Salvadore Dali-designed silverware, with forks like retractable claws.

dali silver

At the booth run by the expert David Parker, for the enterprise called Associated Artists, we saw a striking, red satin chair atop a platform. Here was a story.

vanderbilt chair

Crafted of gilded maple, the cloven-footed, serpent-entwined chair was a jewel in the living space of the tycoon William H. Vanderbilt, whose residence on Fifth Avenue at Fifty-first Street was the most magnificent home in America during the Gilded Age. The house was also the crowning achievement of Herter Brothers, the most important furniture makers/interior designers of the era. The Herter chair appeared in the self-published Mr. Vanderbilt’s House and Collection, which documented the great man’s stuff for all the many people who might not ever get inside the house to take a look for themselves. Circular mother-of-pearl accents on the chair reflected the just-come-in electric lights that only the very wealthy could afford.

Vanderbilt book

The chair also found a place in another book about the houses of the rich and famous, Artistic Houses, of which only 500 were published in the early 1880s.  Andy Warhol owned a copy.

Also on display at Associated Artists, a vase designed by Christopher Dresser that in its particular angularity suggests Dresser’s preoccupations as a botanist … he was famous in the latter part of the nineteenth century, a polymath and household name among the intelligentsia, though only the favored few remember his story now.

dresser vase

We knew it was time to leave the land of William Morris carpets and genteel pillboxes and good, old stories when it suddenly turned six and all the many collectible clocks in the place chimed… not in synchronicity, mind you, but all just slightly off, one minute at a time.

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Klonopin and Knitting

Which better soothes the savage beast, a trusted benzodiazepine or wool work? I choose both, one for night and one by day. I get a good eight hours. And as my pumpkin stocking comes along, so do I.

pumpkin sock 3

But I can’t limit myself to a sock, so I’m starting on a scarf of fine merino – its color defies description — that will be worked in a sprigged geometric I haven’t attempted before.

new wool

Different. And more difficult. One thing about knitting is that it’s humbling; it’s actually the hardest thing I’ve ever done, aside from writing, and I’m barely getting closer to the cable stitch that was my new year’s resolution for 2013. To cable, to make those gorgeous chunky fisherman twists, you need to use a special needle. Although I’ve heard a chopstick will do. But you really need, also, a brain that can move through the pattern’s complexities.

I wonder if my brain, trained up for the first time as a novice in this demanding, ancient craft, is approaching the actual work of my life differently. I’m currently ping ponging between two projects, neither of which I can divulge in detail at the risk of angering the novel gods.

But doing historical research, if you write about history, is another kind of soothing, even a self massage of a sort. It’s that good. You take your era, dive in and float with its current, sending your mind wandering to either shore and how your characters might relate to that time. The grittier, the more textured, the more exciting it is to submerge yourself through books and documents that will help you tell your story.

I will say this, that one book idea has to do with the American Revolutionary War – not in Boston, not in Philadelphia, but in New York City, which the Brits held for seven years while skirmishing on the outskirts of town with the Patriots. The high drama of the episode informs the book I am planning.

hat

“Sleep knits up the ravelled sleeve of care,” says Lady Macbeth. And so does research.

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An Egg Is an Egg Is an Egg

Maybe it is because I just dined in a Manhattan restaurant in a historic building with a soaring ceiling and fresh yellow and white décor. It reminded me of a famous Parisian eating place, the Angelina Tearoom on the Rue de Rivoli, that is of a different vintage but also boasts a high ceiling, yellow and white décor and kitchy chandeliers – as well as the best hot chocolate in the world and its famous Mont Blanc pastry, made with cords of chestnut cream. Or maybe it’s because on Sunday we sat in the kitchen and ate perfect soft boiled eggs in egg cups with buttered toast. In any case, I’ve been reading Alice B. Toklas’ Aromas and Flavors of Past and Present, and her recipes, especially those for eggs, speak to me.

I like Aromas and Flavors, published in 1958, as much as The Alice B. Toklas Cookbook (1954), which was her culinary triumph as well as a memoir of her life with Stein and Picasso and Matisse and all the others at the Rue de Fleurus in the first third of the Twentieth Century. The Alice B. Toklas Cookbook has the seminal sociological goods, but Aromas simply and directly delivers the recipes. It cuts to the chase, an exquisite approach to cuisine that seems awfully foreign today.

“I refuse to believe that trading recipes is silly,” wrote Barbara Grizzuti Harriso. “Tunafish casserole is at least as real as corporate stock.”

Not that she, whose culinary prowess sustained Gertrude Stein’s mind and girth, would ever make tuna casserole. But what Toklas left us is certainly real.

On to eggs. Perhaps because she lived through food shortages during both wars, the simplest preparations predominate, and servings are diminutive. Toklas’ editor, Poppy Cannon, marginally comments that Alice would serve the following dish, “Eggs Prepared in the Creuse,” “as a first course, in which case only 1 eggg is allowed for each person.”

Eggs/Salt/Pepper/Cream/Swiss Cheese

Beat the whites of 8 eggs until very stiff, seasoning them with ½ tsp salt and ¼ tsp pepper. Place them in the bottom of a well-buttered fireproof dish, flattening the surface with a moist spatula. Make 8 hollows in which you place the yolks of the eggs. Cover each yolk with 1 tablespoon cream. Sprinkle the whites of the eggs with ¾ cup of grated Swiss cheese. Place in 450 degree oven for 8 minutes and serve piping hot.

Of course Alice didn’t only prepare eggs. In The Alice B. Toklas Cookbook she writes about the proper way to kill pigeons for cooking. After the First World War, she says, the concierge at Rue de Fleurus brought her a gift sent by a friend in the country: “Six white pigeons to be smothered, to be plucked, to be cleaned and all this to be accomplished before Gertrude Stein returned for she didn’t like to see work being done. If only I had the courage the two hours before her return would easily suffice. A large cup of strong black coffee would help.”

alicebstein-1

She continues, “It was a most unpleasant experience, though as I laid out one by one the sweet young corpses there was no denying one could become accustomed to murdering.” The result, her recipe for Braised Pigeons on Croutons, follows, consisting of stewing morsels of the poultry with salt pork and mushrooms in butter and Madeira.

I imagine it satisfied Gertrude, who was known for not being able to boil an egg.

The marijuana brownies Toklas became famous for were actually from the recipe provided by a friend, Brion Gysin. Toklas writes, “anyone could whip up [Haschich Fudge] on a rainy day,” and continues

“This is the food of paradise – of Baudelaire’s Artificial Paradises: it might provide an entertaining refreshment for a Ladies’ Bridge Club or a chapter meeting of the DAR. In Morocco it is thought to be good for warding off the common cold in damp winter weather and is, indeed, more effective if taken with large quantities of hot mint tea. Euphoria and brilliant storms of laughter; ecstatic reveries and extensions of one’s personality on several simultaneous planes are to be complacently expected. Almost anything Saint Theresa did, you can do better if you can bear to the ravished by “un évanouissement reveillé”.

“Take 1 teaspoon black peppercorns
1 whole nutmeg
4 average sticks of cinnamon
1 teaspoon coriander
These should all be pulverized in a mortar.

“About a handful each of stoned dates, dried figs, shelled almonds and peanuts: chop these and mix them together.

“A bunch of Cannabis sativa can be pulverized. This along with the spices should be dusted over the mixed fruit and nuts, kneaded together.

“About a cup of sugar dissolved in a big pat of butter. Rolled into a cake and cut into pieces or made into balls about the size of a walnut, it should be eaten with care. Two pieces are quite sufficient.

“Obtaining the Cannabis may present certain difficulties, but the variety known as Cannabis sativa grows as a common weed, often unrecognized, everywhere in Europe, Asia and part of Africa; besides being cultivated as a crop for the manufacture of rope.

“In the Americas, while often discouraged, its cousin, called Cannabis indica, has been observed even in city window boxes. It should be picked and dried as soon as it has gone to seed and while the plant is still green.”

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Happy Birthday, Edith

Edith Wharton (1862-1937) at the age of 27, posing with her beloved long-hair chihuahuas, Mimi and Miza.

edith-wharton-and-dogs

Her eye was keen, her sense of the tragic rich. I think she knew fully she was capturing her age and class in a way no one else could.

At the start of A Backward Glance, her memoir, she describes herself:

“It was on a bright day of midwinter, in New York. The little girl who eventually became me, but as yet was neither me nor anybody else in particular, but merely a soft anonymous morsel of humanity — this little girl, who bore my name, was going for a walk with her father. The episode is literally the first thing I can remember about her, and therefore I date the birth of her identity from that day.”

She goes on to describe almost every article of clothing she had on, she with her perfect ability to capture physical details: her bonnet of gathered white satin, “patterned with a pink and green plaid in raised velvet.” It had “thick ruffles of silky blonde lace under the brim in front” and a “gossamer veil of the finest white Shetland wool.” She wore white woolen mittens.

This was the child who would at least skim every volume in her father’s library before she reached the age of seventeen. Poetry drew her:  “Ah, the long music-drunken hours on that library floor, with Isaiah and the Song of Solomon and the Book of Esther, and ‘Modern Painters’, and Augustin Thierry’s Merovingians, and Knight’s ‘Half Hours’, and that rich mine of music, Dana’s ‘Household Book of Poetry.’ Faust, Keats and Shelley guided her to her ambition to be a writer.” Then the gates of the realms of gold swung wide, and from that day to this I don’t believe I was ever again, in my inmost self, wholly lonely or unhappy.

Not that she didn’t have some personal challenges. While she was born into a family of Jones and Rhinelanders and Rensselaers in lap-of-luxury New York (it is her father’s family that is referred to when people say “keeping up with the Joneses”) she suffered over a marriage to mentally unstable Teddy Wharton, whom she eventually divorced. She did not publish her great best-selling novel of manners, The House of Mirth, until 1905 — she was 43. The title came from Ecclesiastes: The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. Every word of that book is brilliant sadness.

Wharton describes the impetus for The House of Mirth in A Backward Glance, saying the question was how to make a meaningful story out of fashionable New York. The answer: “a frivolous society can acquire dramatic significance only through what its frivolity destroys. Its tragic implication lies in its power of debasing people and ideas. The answer, in short, was my heroine, Lily Bart.”

A 1918 film of The House of Mirth starred debutante/silent actress Katherine Harris Barrymore (married to John Barrymore). In other words, a high-society young woman who could have been portrayed in the book starred in the movie. How strange and delicious, a dramatic detail worthy of Wharton.

Screen shot 2012-01-20 at 8.59.38 AM

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Liberty Cracks

The greatest Leonard Cohen lines:

“Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.”

Saw the actual, original, iconic cracked bell in Philadelphia today. The Liberty Bell. “Proclaim Liberty throughout all the land unto all the inhabitants thereof.”

lib bell

Funny thing about it. The bell got little hairline cracks in it since its creation in  1751. Just small seams, which were “bored out” and superficially repaired. But the repairs themselves damaged the metal so that when they attempted to ring it in 1846 for George Washington’s birthday it went totally silent, absolutely broken and never to be fixed again. According to the Philadelphia Public Ledger, “It gave out clear notes and loud, and appeared to be in excellent condition until noon, when it received a sort of compound fracture in a zig-zag direction through one of its sides which put it completely out of tune and left it a mere wreck of what it was.”

Isn’t all liberty personal, first and foremost? Across the street from the Liberty Bell we saw a raised planter with a private shrine that had been maintained for years, as fastidiously as its more famous iconic neighbor. Someone was free to mourn, free to celebrate this Woody as they chose.

Woody

Personal liberty. After Gil gave his book interview at the local NPR station, we took the turnpike north. We listened to our new poet laureate, Richard Blanco, read from his lofty yet intimate inaugural poem, “One Today.” I’m excited that I heard Blanco read from his work only a few months ago at the Miami Book Fair, where he sat in a small room on a panel with some other terrific poets. He was unassuming and personable. He delivered a wonderful poem about what it was like to grow up gay in a Latin household under the eagle eye of his grandmother. I can’t get a link to those lines at the moment, but here is another poem he read that day, “The Gulf Motel,” a beautiful paean to a place he spent time at with his family. For the president to select a young man (only 44) who is openly gay and who delves into his rich ethnic background for his work — this is liberating for us all.

Philadelphia was quiet and cold. All of its energy seemed to be sucked away to Washington, D.C. But there were still philly cheesesteaks at jam-packed Reading Terminal Market — I wolfed mine down so fast I didn’t have time to take a picture. There was time to buy ox-tails, smoked pork backs and blood-red chicken meat for dogs, something I had a hankering to do since admiring Oliver’s likeness in stone on the way to the Market.

oliver in stone

Oliver represents perfect liberty, the freedom to eat bloody chicken, roll on his back in the icy snow, chew things up, growl, yelp, yap at will. Don’t fence him in.

Blanco:

“…Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me—in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.”

I guess I could wish for a little more dog in that sentiment. Otherwise it’s just about perfect.

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Sock and Story

To some, knitting a sock might seem boring. All the world is talking today about Armstrong’s drug confession, about Teo, about the Americans abducted in Algeria. The exciting narratives of the world.

To me, it is high drama.

continued sock

The piling on of tiny knotted nuggets of sock yarn. The beginning a story of whether I can do this thing at all, this task I’ve set my mind to. I feel mildly victorious, not for finishing a chapter or a book or even a haiku, this time, but for finishing a row without dropping a stitch. And then, more amazing, dropping a stitch and managing to fix it with a needle and a tiny crochet hook. I’ve also added extra stitches and successfully taken them away, and mistakenly dropped loops off the needle and fetched them up before they were lost forever. Now that’s progress, and all in seven rows. Making mistakes, fixing them.

Story hung heavy in the air  last night when I returned to the Union League clubhouse after visiting for their December Book Fair, this time to give a talk for members about I.N. Phelps Stokes and Edith Minturn.

This is why you go to the Union League if you’re lucky enough to be invited: besides the fine wines, passed hot hors d’oeuvres and rare roast beef, besides the vitrines of toy soldiers (a long-term loan from one collector, who personally dusts all 15,000 of the figures when he visits once a year), besides the animated, literate audience, they give you a thank you gift.

A bust of Abraham Lincoln engraved with your name.

Lincoln bust

Throughout the evening, everyone liked to tell the tale of the Union League’s involvement in the Civil War, how it was formed to support Lincoln, how it sponsored two Negro battalions, how it opened its commodious pockets to fund the good guys. Hence the name.

The story I told over dessert intertwined with theirs. I wrote about Edith Minturn, whose grandfather, Robert Bowne Minturn, was the first president of the club.

Robert Bowne Minturn

Minturn came from an illustrious shipping family, grew up in Manhattan, received some education in England, and was as well known for his charitable works as he was for his business acumen. He was one of the people behind the establishment of Central Park – then called The Central Park — along with his firebrand wife, Anna Mary Wendell. He created an association for bettering the lot of the poor of New York. He was passionately opposed to slavery. A story has him buying a number of slaves in order to set them free.

The Union League would appear to be a rather reactionary place now, but it took a progressive stance back in the 19th century, when the Draft Riots tore apart New York City and you literally took your life in your hands to back President Lincoln. The club did important things, has a good story to tell even now.

On my way back home, Pershing Place, the street near Grand Central Station, was blocked, oddly, by a series of horse trailers, with three sleek mares chomping out of gunny sacks hung from the side of one vehicle. For a moment I felt transported to the time of the Union League’s founding, when these horses would have made for an ordinary sight on a snowy January night. Now a crowd was clicking away with camera-phones, wanting a story, an illustrated tale to send a friend, to tell about our night in New York.

More story, in the train station, with Klieg lights and corridors blocked off under the western staircase. Blocked off, you say? New Yorkers will not be denied.

film shoot

The hordes needed a good sighting of the hats, and it was all the production guys could do to wrap them them back around to the waiting room. It was late, 10pm, after a long day that started with slush on the ground, but we all wanted to know: What’s the story here? Is it a video, a movie, a commercial? What?

Back, back, called the exasperated production guy. We’re gonna do this shot a million more times.

That’s alright, I’m done with that business. I’m going back to my own small but crucial narrative, the story of a sock.

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