When the crew cuts down a tree, they lop off the upper branches first. The pruner in the bucket lowers the limbs carefully to the ground where, shaggy and brittle, they are fed into the monster of a chipper. Then the pruner glides through the air as the bucket returns to the truck.
What has captured my imagination watching tree after tree fall is what’s left standing, a chain-saw sculpted Venus to Milo. The Roman goddess of beauty, desire and ferility all covered in bark.
The Venus de Milo is widely agreed to be the work of Alexandros of Antioch. The statue is believed to depict Aphrodite, the Greek goddess of love and beauty, and it bears the name of Venus the Roman counterpart of Aphrodite. By the time it got to the Louvre it had been reassembled but the arms were never found.
The beautifully smooth Cycladic figurines, which are fairly numerous, came from Greece around the middle of the third millennium Bc. How often do you hold your arms crossed every day? Something so small generates so much power.
I love the even earlier Venus figures, one of which is the Venus of Willendorf.
She emerged from with all her limestone bumps and curves, evidence, say the archaeologists, of early female deity worship, dating to between 33,000 and 20,000 years ago. Austrian. Some knowledgeable people think they were self portraits. As ample as they are, they are missing one feature: feet.
They are imperfect Venuses. Aren’t we all?