Tag Archives: Old Croton Aqueduct

I’m going to bring you to a secret place.

The cardiologist told me I’d better get in better shape. So here I am speed walking along my favorite trail on a hot day in August. It’s the path called the Old Croton Aqueduct, now a state park, once upon a time the narrow north-south route above a forty-one mile water tunnel. It delivered 75 million gallons of fresh water daily from the Croton Reservoir into New York City for a hundred years.

Plenty of tree shade aboveground, thankfully.

To get to the trail I pass among the sweet gardens of the Village of Hastings-on-Hudson.

I see trumpet vine.

Sometimes I think fallen blossoms are even more beautiful.

The dogwoods blush.

Happy happy flowers everywhere. Some of them simple, common, but no less cherished.

I think about a line from St. Teresa of Avila: The important thing is not to think much but to love much; do, then, whatever most arouses you to love. The season’s a hydrangea-fest.

In this case, I’m aroused to love by simply gazing at blooms in late summer.

We used to call them snowball bushes. I stick my nose in, get the faint sweetness of their perfume.

This stripe-y specimen has a name: silvergrass.

I looked it up. I don’t know everything, just a few things, and I’m always learning.

Finally I reach the trail. I greet some old friends as I go. A muscular basswood.

A bunch of sinuous cherries.

A venerable black locust.

Buckthorn.

A pair of “husband-and-wife trees,” conjoined trees, a Northern red oak and a sycamore.

Finally, after a mile or so (but who’s counting?) I reach my destination. The Keeper’s House.

The Keeper’s House was one of seven along the Aqueduct, built in 1857 and occupied by an engineer and his family. He was responsible for upkeep of the tunnel and its water flow.

I’m getting more involved with Friends of the Old Croton Aqueduct and I find myself more fascinated than ever by the history of this particular abode. Also, out back, by an ingenious sculpture by Dionisio Cortes Ortega. The Croton Arch of Triumph exactly reproduces the dimensions of the Aqueduct tunnel below as a brick cross section.

Recently I got to go under the ground into one of the Aqueduct’s weir chambers, in Ossining, the place where a sluice gate controlled the flow of water

If there was a leak, they’d drop the sluice gate using a specialized gear, and divert the water out to Sing Sing Kill to fix it.

Using the weir system the entire Aqueduct could be drained in about two hours time.

Expert docent Sara Kelsey, the co-head of Walks and Tours for the Friends of the Old Croton Aqueduct, showed me around the ancient space.

We entered through a granite blockhouse.

Sara opened the door and I felt like were sneaking in to a magical place.

Here is what I learned from a sign inside:

The Croton Aqueduct was designed to have a maximum capacity of 60,000,000 gallons of water per day, an amount which the planners felt wouldn’t be needed for hundreds of years. However the average person’s consumption of water tripled within the first 8 years and this, combined with a growing population and increased industry, soon used up what was envisioned to be a huge surplus.

I have heard that the main thing that changed was the introduction of newfangled flush toilets.

By 1890, the Aqueduct was carrying so much water that air space was reduced to 6”. In 1893, the much larger new Croton Aqueduct was completed and, in 1906, the present Cornell Dam was finished. These greatly expanded the reservoir system and reduced the pressure on the Old Croton, the first Aqueduct to bring life-saving water to the thirsty city of New York.

Irish stonemasons blasted out the older part of the Aqueduct between 1837 and 1842 with black powder. Nobel had not yet invented dynamite. One worker would hold the spike and another would pound it to drive it into the sheer rock.

Then they’d insert the gunpowder, light it and scram. “Fire in the hole!” The entire forty one miles was dug out in five years. Imagine the tireless work involved, without power tools. It’s an ingenious gravity flow system.

Sarah made a joke about the types of rock here, gneiss and schist: “They say Westchester’s gneiss but Manhattan’s schist.”

You could smell the wet, and hear groundwater gurgling beneath our feet. A few leaves had somehow drifted down. Leave it to white oak to find a way in.

The main use of the tunnel now – aside from illuminating history nerds like myself – is for firefighter and police crisis training, offering as it does a perfect enclosed location.

The Croton Aqueduct shut down in 1955. But not completely. The Village of Ossining is the only municipality that still gets its water from the OCA. Other places purchase their water from New York City, which now sources it from bigger and deeper pipelines in the Catskills or Delaware Water Gap.

Italian immigrants came on board to labor on the newer part of the Aqueduct, and Black laborers were imported as well, from Virginia, were they were known for their expertise as mule drivers. Everything, bricks, stone, metal, all had to be hauled by mule cart.

Their work resulted in fresh water finally getting down to New York City, where it helped prevent the scourge of cholera. When a fountain near City Hall first shot up its streams of water, New Yorkers had a huge celebration. It wasn’t all unicorns and rainbows, however. Scholars have found that one in ten Aqueduct laborers were killed or injured every year during the construction of the newer portion. So just being in this historic venue felt bittersweet. Folks died here.

Back to my hot walk along the Aqueduct trail. I turn around at the Keeper’s house and start to trudge toward home.

I see the spiffily manicured baseball diamond on land formerly occupied by an old forgotten estate.

Not forgotten by me. Locust Wood was owned by the Minturn family, including Edith Minturn, a privileged New Yorker whose life I researched for Love, Fiercely: A Gilded Age Romance. Edith’s grandparents were made rich through owning the fastest clipper ship in the world around 1850. Flying Cloud sailed down the Atlantic Seaboard, around Cape Horn and up the Pacific Coast, a treacherous 120-day trip, bringing goods like fresh butter, sugar-cured hams and brandied peaches to San Francisco Bay.

The family vacationed twenty miles north of Manhattan in Hastings-on-Hudson until the turn of the twentieth century, and it is said that Robert Bowne Minturn himself designed the cobblestone gutters along the winding carriage roads. The family summered here just as workers were putting through the Aqueduct, literally right under their feet

That black locust I referred to earlier? Perhaps from that time. The only hard evidence of the Minturns’ tenure now lies in the imagination of the beholder. I feel like these pillars, with the cobbles at their base, probably date back to the swellegant family’s estate.

But who knows? I tend to find meaning in the possibly meaningless wherever I go. If the columns were in fact built at that time, it was probably by the same cohort of newly settled Americans that poured their lives into the Aqueduct.

Heading home, I pass a nice little house populated by a family of metal animals.

On the fencing outside, someone has taken issue with someone else.

And on such a lovely afternoon, too. I may not be wealthy but I have a rich life, please don’t eat me.

Along the way I pass the Village’s community gardens, expansive plots that are well-used by locals despite the expansive properties many own. Eat the Rich, indeed.

There is an allee of mature trees here. Also Minturn vintage?

I pass an old black oak with a tag.

Someone interested in trees has come before me. I wonder who.

The stone walls along the allee tell a story, as stone walls always do. In this case, probably a talel of immigrant stone masons wanting to make good in America. They risked  their lives to provide pure drinking water to families like the Minturns.

These workers have been largely forgotten, apart from the name of a trail enjoyed by runners and cyclists, dog walkers and huffers-and-puffers like myself. Let’s pause to remember those heroic tunnel builders now.

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A bent tree and a black butterfly

figured prominently in my hike along the northern section of the Old Croton Aqueduct on a day so early in spring that only a few plants were peeping up green.

Also peeping up reddish-brown with yellow streaks, in the case of skunk cabbage.

One of my favorite plants, the skunk cabbage enjoys an interesting chemistry which allows it to create its own heat, often melting the snow around itself as it first sprouts, and always comes dressed in some of my favorite colors. It could be an official Pantone Color of the Year. (The Pantone Color Institute Program, begun in 1999, previously has included such boring hues as Classic Blue and Tangerine Tango.) Once popularized thus, you could buy a ball gown or paint your walls with it. Actually, the Pantone Color of the Year has already been chosen for 2023, and it is Viva Magenta, which is not that far off.

So then, the Color of the Year for 2024! Skunk Cabbage. It may be poisonous for us, but pollinators find it delicious.

I was fortunate on the OCA trail to have naturalist Diane Alden as my guide. Some years ago, Diane showed me around Wildflower Island at Teatown, a gorgeous place that you can’t visit unless you tour it privately, they are so dedicated to not mashing down the precious horticulture. Here we saw a white wood aster just poking out.

Wild plants are Diane’s passion, and she has devoted herself to rooting out invasives on the OCA trail so that native flora can flourish. I don’t believe I had ever set foot on this northern portion, which soars above the Croton River Gorge.

Since 2014, Diane’s initiative with Friends of the Old Croton Aqueduct (she’s a board member) she has had a great deal of success, pulling in tons of volunteers of all ages, especially on I Love My Parks Day every spring.

On our promenade, I saw some familiar things I knew the names of, as well as those I’ve seen a million times but couldn’t name, and those I’d never even noticed. It was that kind of a walk, when all your synapses are wide open and you want to commit every observation to memory.

Diane pointed out Christmas ferns, which it turns out have the remarkable ability to self mulch.

Lift off the new growth to find the old fronds mouldering underneath, ingeniously protecting the roots. Diane pointed out some rushes, and reminded me of the lyric that helps naturalists differentiate grass-like specimens in lieu of an ID book: Sedges have edges, Rushes are round, Grasses have nodes all the way to the ground. We talked about lichen.

This one is crustose, one of three major kinds. There are also the foliose and the fructicose. Lichens are a type of symbiotic organism made up of a plantlike partner and a fungus. Known colloquially as smokey-eye boulder lichen, the one we saw featured an exquisite tapestry of tiny dots if you bothered to take a close up view.

Crustose, Diane said, “can’t peel off.” Guess that’s a handy survival tactic.

Just then a mourning cloak butterfly appeared. “That’s the first I’ve seen this year!” said Diane. I could not capture it with my camera, it swooped and flitted so fast, but I did Google the species later.

Nymphalis antiopa, native to both Eurasia and North America. has a name which came over with Scandinavian or German rather than British settlers. There is a cool historical nugget concerning the species. British lepidopterist L. Hugh Newman ran a butterfly farm in Kent that supplied the creatures for Sir Winston Churchill’s enjoyment and also wrote many popular books in the 1940s and 50s (Butterfly Haunts, Butterfly Farmer, Butterflies of the Fields and Lanes, Hills and Heathlands… and so on). He likened the wing’s pattern to a girl who disliked having to dress in drab mourning clothes and defiantly let a few inches of bright hem show below her black dress. I like just about all defiance, so I love this butterfly.

We walked by the bane of the invasive-eradicator’s existence, multiflora rose bushes, just now beginning to leaf out.

Native to Asia, the multiflora rose first came to the U.S. in the 1860s, when it was employed by a well-meaning but somewhat naïve horticultural industry as an ornamental garden plant. Fast forward to the 1930s, when the USDA Soil Conservation Service thought it would provide a nice natural barrier to roaming farm animals (a “living fence”). Well, the bush skedaddled out of any confines that ever held it back, and has since been classified as a noxious weed in many states. Scores of volunteers have pricked their fingers pulling out the shrub along this trail.

Diane described garlic mustard, which “exudes a fungicide so we are eager to eradicate it to preserve our valuable mushrooms that are so important to the health of the forest.” Also, those “pretty little yellow flowers all along the edges of the trail” are lesser celandine, and they crowd out the much more beautiful wild violet.

Invasive plants have no natural enemies. Even the deer eschew them. Diane pointed out a stalk of the particularly evil wild raspberry, whose sumptuous fruits I have sampled many times but which wreak havoc with birds’ digestive systems, “kind of like junk food.” It’s nearly as bad as porcelain berry, and that’s saying something. I wondered if well-meaning invasive whackers ever yank up anything good by mistake. Diane told me that once a fellow who had not been adequately trained proudly displayed a plant he had ripped out by the roots, believing it to be porcelain berry. Sad ending, it was actually a rare doll’s eyes plant.

We want the birds to eat good foods and prosper! As if on cue, a lovely little nest appeared.

Something that survives when Diane’s volunteers succeed are intricate stone walls dating back to the mid-1800s. These have the most beautifully pink-streaked quartz.

Robert Frost is famous for these lines:

Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

Recognizing that historic walls are vulnerable, the Friends commandeered stone mason George Cabrera to shore them up. I had to confess to Diane that I love old, tumbling-down structures better than any tidied-up restoration. But the farmers who originally assembled these stones – probably employing the same stonemasons who built the underground Aqueduct itself – would have repaired them so that they would last forever. So it only makes sense to honor their efforts by doing so now.

Speaking of stone, we passed through rock that was split apart by gunpowder at the time the Aqueduct was installed, between 1837 and 1842. Yes, gunpowder.

Diane pointed to chutes cored out from above where the powder would be dropped down and ignited. Boom! Impressive technology predating dynamite’s invention by Alfred Nobel in 1867.

We passed some incredible trees. A broken off trunk with loads of character and a nice hidey hole at its base. Dead trees often go underappreciated for their important role as habitat.

A soaring hemlock. Hello up there!

I remember asking a more seasoned arborist if losing all those lower branches meant the tree was dying. The answer: No, the tree just wants to conserve its energy in order to keep growing. And, as Diane pointed out, to reach for the sunlight. Trees, as usual, are smart.

Some impressive roots here too.

And a sight that struck me as almost too amazing. A branch bent up at a right angle. Was this just an unusual growth habit? Sometimes trees do grow in ways that might be construed as strange – say, conjoined trees, my favorite. This might be different, though.

Could it possibly be what is called a Trail or Marker Tree, or more technically a Culturally Modified Tree? These specimens, which curve and grow sideways at such an impossible angle, often turned sharply up toward the sky, are historical curiosities found all around the country, whether out in the woods or in city parks or front yards.

Experts say that CMT’s once helped the Native Americans who trained their growth find safe paths through rough forests and locate river crossings or natural springs, shelter or encampments Tom Belt of the Cherokee Nation of Oklahoma explained their purpose: “The bending of trees was essentially part of a great highway system that allowed people from many tribes to interact with each other, and there was an inordinate amount of trade going on.”

I don’t know if the one on the trail today was a Marker Tree, but I want to believe.

We racewalked back, late to meet a friend for lunch. Diane’s house has a rapturous view of the Hudson, dozens of birds attendant at the bird feeder – she tracks their comings and goings daily – and one hundred or so thriving houseplants. She offered to gift me with one. Would I prefer a walking iris or a jade plant? Decisions, decisions. Once, long ago, I kept a jade plant that I sadly, shall we say, undernurtured. I figured I’d make atonement for that fiasco this time around.

The jade plant has taken up residence on my office window sill. If you peer out the window into the distance, the ridge you see is the top of the Palisades. Not a Hudson River view, but close enough on this day of small but impressive sights in early spring.

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When I said my favorite color was brown

one time, everybody laughed.

In writing class, teachers use a prompt to get everybody’s creative juices flowing. I hiked the Old Croton Aqueduct trail today, using brown as a prompt.

The familiar sandy light brown soil. Hadn’t been here for a while. The sound of the mid-afternoon breeze rustling the leaves, late summer insects’ buzz. Black cherry trunks snake up, brown.

Underfoot, my own personal school-days madeleine, a horse chestnut, glossy brown in its miracle of a small spiky package. 

Sun-browned old brick from one of the brickyards along the Hudson, a booming business back in the day.

Across the river, the light brown strip of the Piermont marshes, ancient, brackish, mysterious in a canoe.

Thinking about dog-nose brown.

Iced-coffee brown. Always great, but especially when consumed recently at MoMa before paying homage to Matisse’s magnificent canvas The Red Studio.

I’m not saying how much coffee I drink, only that if it keeps me up, the more interesting thoughts I get to have. Recently stumped by midnight riddle: what would happen if you combined orange soda with grape soda? The answer? Plenty of sugar buzz. But also the color brown, carbonated.

Thinking about young-hair brown.

On the trail, wizened mulberry trunk brown. Where I live, somebody petitioned the Village wanting to remove an elderly specimen from their property, saying the fallen berries were “messy.” Really? Messy is good, it’s what makes us alive.

I love mulberry trees with their misshapen mitten leaves.

Brown shadows. In the immortal lyrics of John Prine, Shadows. Shadows!

Fungi brown.

Fruiting bodies, if you want to sound like a supercool arborist.

Thinking of cattail brown.

Peegee hydrangeas’ pink tinged ever so slightly brown.

Oak leaves verdant, still, yet stems and acorn cap brown.

Grey cherry trunk with its delicate brown lenticels, my favorite feature, the stitch-like pores that allow oxygen in and carbon dioxide out.

Finally, coming home, the brown face of a late-summer sunflower.

You may have your run-of-the-mill rainbows. I will take my beautiful brown all around.

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