Category Archives: Music

Best Returns, Etta

Every day some woman that has inspired me has herself a birthday. Today, Etta (1938-2012).

Etta

I saw Etta James perform a few years ago, on her last tour. She played a relatively intimate club, B.B.King’s, on 42nd Street, so we were all somewhat in her lap when she had herself wheeled out after the long, horn-heavy, glitzy introduction to her set. She reclined in a chair, by then too weak to spend much time on her feet, and intermittantly growled woman-of-the-world intros, delivered suggestive hand movements, and sent her voice soaring on songs that were more, or less, familiar. At Last, of course, now in a  lower register, but Sugar on the Floor? The latter was fantastic.

Husky, sweet, sexy, with only a hard liver’s appreciation of the depths. (She demonstrated among other things that a heroin habit is not incompatible with longevity.) She came from grit — born Jamesetta Hawkins in Los Angeles, California, on 25th January 1938, to an unmarried fourteen-year-old mother, Dorothy Hawkins – and it stayed with her even when she got famous. Everyone thinks of her as a chanteuse but she was also a rocker. I love her spirited take on Born to Be Wild. Not what you would expect of a lady of her vintage.

Etta James has always reminded me in spirit of another of my favorites, Sophie Tucker (1886–1966), known to a generation as the Last of the Red Hot Mamas. She earned her popularity in the ‘20s and ‘30s.

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Sophie Tucker came from a somewhat less hard knocks school than Etta but still, her Jewish family emigrated from the Ukraine and opened a little restaurant, where she waited tables until she married at only 17. She built her career in burlesque and vaudeville, at first in blackface. And she hired black singers to teach her technique and write songs for her act. She had an incredibly strong musical persona.

Her hits included songs like Some of These Days and my personal favorite, Life Begins at Forty.

I’ve often heard it said and sung

That life is sweetest when you’re young

And kids, sixteen to twenty-one

Think they’re having all the fun

I disagree, I say it isn’t so

And I’m one gal who ought to know

I started young and I’m still going strong

But I’ve learned as I’ve gone along…….

 

That life begins at forty

That’s when love and living start to become a gentle art

A woman who’s been careful finds that’s when she’s in her prime

And a good man when he’s forty knows just how to take his time

Watch it!

Best returns of the day, Etta, and I hope that someplace, somewhere, you’re sharing the bill with Sophie.

young Etta

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Liberty Cracks

The greatest Leonard Cohen lines:

“Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.”

Saw the actual, original, iconic cracked bell in Philadelphia today. The Liberty Bell. “Proclaim Liberty throughout all the land unto all the inhabitants thereof.”

lib bell

Funny thing about it. The bell got little hairline cracks in it since its creation in  1751. Just small seams, which were “bored out” and superficially repaired. But the repairs themselves damaged the metal so that when they attempted to ring it in 1846 for George Washington’s birthday it went totally silent, absolutely broken and never to be fixed again. According to the Philadelphia Public Ledger, “It gave out clear notes and loud, and appeared to be in excellent condition until noon, when it received a sort of compound fracture in a zig-zag direction through one of its sides which put it completely out of tune and left it a mere wreck of what it was.”

Isn’t all liberty personal, first and foremost? Across the street from the Liberty Bell we saw a raised planter with a private shrine that had been maintained for years, as fastidiously as its more famous iconic neighbor. Someone was free to mourn, free to celebrate this Woody as they chose.

Woody

Personal liberty. After Gil gave his book interview at the local NPR station, we took the turnpike north. We listened to our new poet laureate, Richard Blanco, read from his lofty yet intimate inaugural poem, “One Today.” I’m excited that I heard Blanco read from his work only a few months ago at the Miami Book Fair, where he sat in a small room on a panel with some other terrific poets. He was unassuming and personable. He delivered a wonderful poem about what it was like to grow up gay in a Latin household under the eagle eye of his grandmother. I can’t get a link to those lines at the moment, but here is another poem he read that day, “The Gulf Motel,” a beautiful paean to a place he spent time at with his family. For the president to select a young man (only 44) who is openly gay and who delves into his rich ethnic background for his work — this is liberating for us all.

Philadelphia was quiet and cold. All of its energy seemed to be sucked away to Washington, D.C. But there were still philly cheesesteaks at jam-packed Reading Terminal Market — I wolfed mine down so fast I didn’t have time to take a picture. There was time to buy ox-tails, smoked pork backs and blood-red chicken meat for dogs, something I had a hankering to do since admiring Oliver’s likeness in stone on the way to the Market.

oliver in stone

Oliver represents perfect liberty, the freedom to eat bloody chicken, roll on his back in the icy snow, chew things up, growl, yelp, yap at will. Don’t fence him in.

Blanco:

“…Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me—in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.”

I guess I could wish for a little more dog in that sentiment. Otherwise it’s just about perfect.

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Road Songs

A long drive through the fog this morning to Connecticut to visit a possible summering place, listening to road music on the way, the other cars ghosts on the pavement. We took a curvy highway through the country, passing gems like this weathered, crumbling wooden barn at a gas station.

quonset

Road Runner, the best of all the road songs. Joan Jett does it justice, substituting New York City for Massachusetts and FM for AM but growling the melody with the passion it deserves. Then back to the bible, Jonathan Richman, his ecstatic warble about driving past the Stop and Shop…

In Gil’s long history with cars, two were formative, his grandmother’s two-tone Studebaker Hawk, which he was allowed to sit in but never drove, and the 1949 Dodge pickup he painted red and black with a broom in front of his honeymoon apartment on Washington Street. He built a poptop out of wood with a canvas flap and slapped a yin yang symbol on it and drove out to Boulder to follow his dreams.

dodges

Neil Young’s Long May You Run, the finest love song to a machine. Your chrome heart shining in the sun.  It was a hearse.

I never had a car growing up. The three of us ran my mothers Impala into the ground instead. I always liked gazing out the window, and falling asleep with my head lolling on my chest. But I lived in Manhattan long enough that my license expired, and it took me years to love to drive. Anyway I never had a favorite vehicle – I’ve always thought we should go back to horses for daily transportation.

Cars and music are naturally enmeshed — when I listen to Springsteen’s Racing in the Street, now that I am old and soggy rather than young and snappy, the image of young people like I was once cruising in the dusk pierces me. Or when Tom Waits sings Diamonds on my Windshield, which he compares to tears from heaven. Or L.A.Freeway, delivered by Bill Hearne, with its chorus of escape and flight: If I could just get off of that L.A. Freeway, without getting killed or caught.

One of the finest musical moments in a car comes in the screen adaptation of Stephen King’s Misery when writer James Caan has just put the finishing touches on his latest novel, sipped champagne, toked on a ceremonial cigarette, and started down a blizzarding mountain road to deliver his opus. On the radio, perfectly timed to his mood: Shotgun by Junior Walker and the All Stars (misremembered by me today as Flash Light by Parliament, an oddly similar song that would be equally suited to manuscript completion: Everyone’s got a little light under the sun.).

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And skidding into the ravine, as we witness it in the movie, the writer goes to break both his legs, he was feeling just too good about his book.

What’s your favorite road song?

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Sounds of Silence

This morning I sat on the couch and listened to all the sounds encased in the still cabin.

cabin wall

The tap-tap of the walls settling.

The rasp of bamboo knitting needles against soft wool.

The faint snore of the dog beside me.

The electronic bleat of my phone getting a message.

The distant rumble of the highway.

The gurgle of the sump pump.

The rustle of newsprint from downstairs, where Gil is reading the paper in the kitchen.

Then: pots clatter in the sink.

A singing voice swells, Marianne Faithfull, with soulful, stern urgency: “The mystery of love belongs to you.”

tree

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In Tune

“The Fiddle and the Spade” is a song performed by a fiddler during the Imbrocks’ Advent Wassail, in Chapter 22 of The Orphanmaster.  I’ve posted it at the music tab under the Orphanmaster tab, so check it out.

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Peace, Love and Understanding

Saw Nick Lowe perform at the Tarrytown Music Hall last night, like a young rocker at age 63 with his shock of white hair. Amazing to see the longevity of an artist who loves what they’re doing as he so clearly does. The audience was wild for him. In between songs from his newest album — isn’t it funny how the music industry persists in calling cd’s or even virtual works the antiquated “album” — and chestnuts like “I Knew the Bride When She Used to Rock and Roll” he praised the Music Hall, a venerable being in and of itself, a little creaky now but filled with character. Those strange silhouettes that decorate panels around the sides, depicting what look like southern belles and their swains. When he did “What’s So Funny ‘Bout…” which of course he’s put out there a thousand times, he did it down tempo in almost a husky whisper, wonderfully. I was thinking the whole time about the turns a person’s career can take, the downs and ups, with a guy like Nick Lowe enjoying more acclaim now than ever before and writing songs that are among his best. How great that must feel.

Nick Lowe

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Afrodelic Xylophone Rock

Still high from seeing my friend Nora Balaban perform with her band Timbila last night at the Beczak Center, an environmental education venue in Yonkers, New York.

Timbila is a band with roots in the music of Mozambique and Zimbabwe. Nora plays the mbira, the Shona thumb piano, and the Chopi xyolophone called the timbila; her amazing melodies combine with electric guitar, bass and drums to deliver a blend of traditional African music, trance and rock that is totally charged, funky and beautiful.

If you ever get the chance you must experience this band. If not in person then check out their new video, Pocket the Cha Cha.

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Etta to the End

I’m late posting on the death of Etta James. She was incredible up to the end. I saw her perform in one of her last sets, in the past year, when she had to be brought on stage in a wheelchair then transferred to a chair in the center of the stage. She stayed in that chair, belting it out, while continuously massaging her chest with both hands all the while. Her voice: fantastic if not flawless.

Etta

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