Category Archives: Art

Snacks in the Dark

I was thinking about the dishes home cooks make, in particular the ones everyone acknowledges as “the best.” My sister-in-law’s butter-and-sugar laden “Mrs. Lemke’s cookies,” say, or my friend Josefa’s lasagna. In any age, I’m sure you could have found women with similar expertise if you just asked around.

If we were to travel back to 1663 New Amsterdam, walk down the moonlit streets, knock on the right door, we could find the most delectable stroopwafels in the community, or the most succulent hutspot. The stew in every household on the street might be just average, but Margaret had worked hers up into a simmering, steaming, savory confection of potatoes and carrots and turnips and beef. It would be the best you ever tasted, sitting around the fire in the half dark, listening to the wind whistle outside the window panes.

The only problem is getting there.

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Filed under Art, Jean Zimmerman

They’re back!

She with the sparkling, vivacious countenance, and he in the shadows, rumpled and slightly hangdog. Mr. and Mrs. I.N. Phelps Stokes, Newton and Edith, rendered by John Singer Sargent and now hanging proudly in the refurbished American Wing at the Metropolitan Museum of Art. I think the new rooms look wonderful.

In this particular hall of Sargents Mr. and Mrs. Stokes take their place two steps down from the also spectacular Madame X. Edith and Madame X are of course completely different — X with her bone white shoulders, violet tinged nose and deep decolletage, Edith casual, rosy faced, draped in a tennis-ready long skirt of white pique. Edith buzzes with engaged energy, while Virginie Amelie Gautreau seems aloof, too cool for school.

John Singer Sargent in his studio

If you can’t get to the Met, you can take a virtual trip through their section of the exhibit, “Portraiture in the Grand Manner, 1880-1900,” courtesy of The New York Times, with a glimpse of Edith and Newton along the way.

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Filed under Art, Jean Zimmerman, Love, Fiercely