pretty much define what’s so great about the Metropolitan Museum. Everyone who has gone there a lot has favorites.
It’s hard not to love the Atrium outside the American Wing. You can drink ridiculously overpriced coffee and gaze out the bank of windows at Central Park in its summer glory.
But your personal favorite might be the Rodin hallway, or the gallery with Vermeer’s Young Woman With a Water Pitcher.
Mine include the Astor Court, a Chinese garden inspired by one in China nearly four hundred years ago. Craftsmen travelled from China to NY to build it and did not use a single nail in its construction(gallery 217), a contemplative gem which you might be lucky enough to have all to yourself.
Or the whole Luce collection. The Henry R.Luce Center for the Study of American Art occupies the mezzanine of the American Wing, and is sort of like the Met’s attic, there for scholars but for other culture grazers interested in not just the highest of high art. In perfect Lucite-boxed rows, dozens of versions of the same object are arranged. There may be 40 19th century green pressed-glass plates, for example. Or rare-vintage silver demitasse spoons. Or wackadoodle porcelain figurines like this deranged fawn.
When there is a major show, like the one that’s up now with Alice Neel portraits, you go.
It’s an amazing exhibit; visit if you’re in New York.
But there are still the nooks and crannies.
When I’m at the Museum I find that I must make a stop at the ancient linens. Hang a quick right coming out of the Temple of Dendur and you’ll find bolts and lengths of intact textiles from ancient times.
What really touched King Tutenkamen, and everyone else, was linen. People who lived in ancient Egypt believed that the Gods were clothed in linen before they came to earth. It was sacred and yet mundane. I always love historic textiles because they occupy a place so close to the human body. If you think about it, what other role do textiles play besides clothing and bedding and diapers (the old Dutch term for a type of linen, not just baby items)? Flags, maybe? This wool bunting is from an 1816 American flag.
Linen has been found in graves dating back to the Neolithic Period. And we all know that mummies are wrapped in linen. Actually, a mummy’s bindings are torn up linen bedsheets. Sericulture, the raising of silkworms, had not yet come to Egypt.
The Egyptians wore white linen because it was difficult to make a strong lasting dye, but they still loved color. They applied rouge to their cheeks, red ointment to their lips, and henna to their nails and feet. Ladies traced the veins on their temples and breasts with blue paint. They tipped their nipples with gold. A green eye shadow made from powdered malachite was paired with kohl. Worn above a sweep of white linen, what could be more godlike?